God hates fags.  But New Labour are a little more equivocal.

Health Secretary Patricia Hewitt has defended the plans for a partial ban on smoking in public places in England.

Critics and health experts have said plans to exempt private clubs and non-food pubs from the ban are bad for health and will prove “unworkable”.

OK, full disclosure. As mentioned in a recent comments box, I am a living (still!) breathing (just!) example of that great oxymoron, the “social smoker”.

On average – and obviously this varies considerably, in both directions – I get through about 20 cigarettes a week. Most days, I don’t smoke at all. Roughly once a week, on a Wednesday or a Thursday evening, I’ll meet up with my going-out buddies in a city centre pub. As almost all of them are smokers (funny how we all stick together), and as K almost never joins us (we’ve always maintained slightly separate social lives, even if there is a large overlap), I will invariably join in and light up.

During these evenings, I will generally chuff my way through about one fag every 20-25 minutes. The later I stay out, the more frequent this gets. So we’re talking around 10-12 fags in a single night. I think of this as getting in touch with my inner laboratory beagle.

Other than that, I usually smoke three or four in the cottage on Friday nights: late on, after K has gone to bed, and before I’ve started to feel tired. It’s my little weekly treat. The cottage is well ventilated, so there’s virtually no residual stink on Saturday mornings.

I also smoke at gigs; we’re talking maybe four or five in the course of the evening. Well, one has to maintain one’s Rock and Roll credibility somehow. Goes with the territory, doesn’t it?

I never smoke during the daytime, and never feel the slightest urge; the thought of having to carry the residual taste in my mouth for the rest of the day is enough to put me right off the idea.

I never smoke without alcohol in front of me, except for a single cig when I’m walking down to the pub on my own.

If the majority of people I’m with are non-smokers, then I won’t smoke (unless I’m very drunk). I don’t smoke inside people’s houses, or in restaurants.

In summary, I bend with the wind. If the opportunity presents itself, and if there’s no-one around to express disapproval, then I’ll succumb to temptation. If I’m going to piss people off, then I’ll refrain.

Am I addicted? The word feels too extreme.

Do I have a habit? Yes, I do.

Do I enjoy smoking? Yes and no. There are conflicting feelings.

I like reaching into the packet, putting the fag in my mouth, lighting it, and taking the first drag. That’s the best bit.

I hate the effect that the first fag of the day has on my body: dizzy head, fractured brain, heartbeat up, clenched butt, sweaty feet. That’s the worst bit. But it goes away if you smoke a couple more.

I enjoy the feeling of participating in a shared ritual with other happy, smiling, carefree smokers. That’s when I like smoking most of all.

I also like the “private late night treat” feeling which I get on Fridays; but this is invariably accompanied by a little shudder of guilt and shame, which I can’t quite shrug off.

I hate climbing into bed next to K, and knowing that I haven’t got rid of the smell (even if I’ve just taken a shower), and having to turn away from him so as not to envelop him with my fumes. That’s when I feel the most ashamed.

I hate the stink on my fingers and clothes, and the taste in my mouth the next day.

Would I like to stop? I have stopped, several times. But as I’ve never been a daily smoker, I’ve never felt a particular danger in starting again. I always like to feel that I can take them or leave them. After all, I’m not a Smoker with a Capital S. Am I?

I’m avoiding the question. Would I like to stop? Yes, eventually. But it never feels like a matter of urgency. I only started smoking ten years ago, and there have been extended periods during that time when I’ve smoked less, or none at all. I’ve certainly never smoked more. Therefore, when considering the health risks, I like to think that I’m still inside the safety zone. If there’s a fixed lifetime quota for the number of fags that one can ingest without incurring any significant danger, then surely I’m well within it. Aren’t I?

So, what is this mystical lifetime quota? I have no idea.

Has anyone close to me ever suffered through a smoking-related disease? Not so far as I am aware.

Besides, I’m invincible.

OK, I’d like to stop. But, you see, I was rather counting on the government to force my hand for me. By removing the opportunity, they would have removed the temptation. They’ve done it in Ireland. They’re doing it in Scotland. I simply assumed that England and Wales wouldn’t be far behind. After all, this hasn’t exactly been the most liberal of governments in recent years, has it? Nanny state? Bring it on!

And so, even though I’m a “social smoker”, I feel thoroughly let down and proper pissed off. My Tony, my Tony, why hast thou forsaken me?

As to the reasons for the fudge, my inner conspiracy theorist is juggling three possibilities.

1. New Labour is still in hock to the tobacco industry. Unlikely, in this day and age – Big Tobacco must surely have accepted its pariah status by now. Besides, it still has other, larger, less informed markets to conquer.

2. New Labour are scared of losing the tax revenue. Quite plausible. How else will they be able to balance the books, without the billions pouring in from the nation’s chuffers? When the Naional Lottery was introduced, lofty metropolitan commentators were quick to deem it a “tax on stupidity”. Wrong target, fellows.

3. New Labour are scared of alienating its lower income constituency. Christ, they’ve got to do something popular with the working classes, right? Plausible but silly, as the vast majority of middle class floating voters would appear to be passionately in favour of an outright ban in all enclosed public spaces.

And that’s the other bit that rankles with me. Have you noticed the sheer venom with which smokers are being denounced nowadays? Sure, they (OK OK, we) don’t have an even halfway plausible argument to call our own. Sure, we’re selfish, and we stink, and we make your clothes smell awful in the morning. But nevertheless, there’s a creeping edge to a lot of the recent debate which disturbs me. Self-righteousness is never a good look – and don’t give me that “it’s for your own good” claptrap, either. Society likes its easy scapegoats. Thin end of the wedge. There are worse crimes: alcohol-related violence, exhaust fumes… oh, but I’m not even going to go down that route.

Somewhere in the last decade – maybe even in the last five years – we’ve reached a tipping point. Thirty or forty years ago, the whole country smelt of cigarette smoke – so much so, that we barely even noticed it. (Besides, with the comparative levels of polluted air and questionable personal hygiene, perhaps the fag fug smokescreen was doing us all a favour, shielding us from even nastier smells.) Now, the air is clearing. As we lift our noses to the fresher, cleaner atmosphere, those few lingering traces of fag smoke suddenly strike us anew. What we barely used to notice, we now find intolerable.

And so, the hour has come.

But not just yet, it would seem.

Bugger. That only leaves me with will power and personal responsibility.

Basically, I’m f**ked, aren’t I?

My therapist says I should write thoughts down as they occur to me.

I don’t think he meant it quite like this, though.

Mmm, cuddle. Doh, he’s getting up. Shit, it’s late. Erm, have I already brushed my teeth? Oo-er, going senile. Groan, last weekend’s suitcase needs emptying before the cleaner gets here. Bah, why do we always leave this till Wednesdays? Bollocks, he’s left the wet laundry to hang up. Grr, that’s the next ten minutes gone. OK OK, fair division of labour. Yeah, but it still feels good to whinge. Ho hum, can’t be arsed with the paper. Well, just a look at the cartoons then. Christ, I’m shallow. Eyup, cleaner’s at the door. Harumph, that was a cheeky remark. What, does she think we’re alcoholics? Yikes, it’s late. Ugh, can’t be bothered to take the stairs. Boo, lift’s full. Sigh, how many more floors? Yeesh, getting on at Floor 9 to travel to Floor 10? Wow, lazy or what? Oops, there might be something wrong with his legs. Ouch, I feel a bit guilty. Now, quick surf before I log on? No, stop! Ah, go on then. Eek, someone coming. Quick, alt tab! Right, workity workity work. Woo, personal e-mail! Hooray, remembered my dental appointment. (God, remember last time? Oh, the embarrassment.) Good, there’s the taxi. Poo, stinks a bit in here. Blimey, that was a quick journey. Um, should I tip? Nah, what is this, London? Hee hee, what a squeaky voice that receptionist has. Goodness, they’re actually running to schedule. Hah, that must be a first. Yay, clean bill of health! Whoops, bus ahead of me. Aargh, I’d better run. Damn, he’s shut the doors. Erm, if I flash him a watery smile? Yes, result! Right, better send that nagging text to K. Huh, what does he mean by that? Phew, Pret A Manger haven’t run out of sushi. Hey, I was here first! Mmm, great John Peel feature in Word magazine. F**k, it’s really late. Look, I always take the stairs after lunch. So, I deserve to take the lift for once. Boy, this is a tedious piece of work. Ooh,new Scott Adams blog! Ta, BW! Eureka, just thought of something to blog about. Bugger, that took longer than expected. Aaaaaand, hit Publish.

Moral: beware of assigning “automatic writing” exercises to online diarists.
What’s that new buzzword? Tumblelog?

Fun Friday Music Quiz!

What do the following tunes have in common?

Arctic Monkeys – I Bet That You Look Good On The Dancefloor
The Jacksons – Can You Feel It?
Del Amitri – Nothing Ever Happens
Reef – Place Your Hands
Salt ‘N Pepa – Push It
Marvin Gaye – What’s Going On
Madonna – Causing A Commotion
Betty Everett – Getting Mighty Crowded
Sly & The Family Stone – There’s A Riot Goin’ On
Talking Heads – Making Flippy Floppy
Gang Of Four – At Home He’s a Tourist
Joy Division – She’s Lost Control
Kim Wilde – You Came
Sugababes – Push The Button
The Smiths – I Started Something I Couldn’t Finish
Jimmy Ruffin – Farewell Is A Lonely Sound
Reynolds Girls – I’d Rather Jack
Kelis – Milkshake
Garbage – Only Happy When It Rains
The Beatles – I Want To Hold Your Hand
KWS – Please Don’t Go
Neil Diamond – Beautiful Noise
The Stranglers – Golden Brown
Marvin Gaye – Mercy Mercy Me (The Ecology)
Dolly Parton & Kenny Rogers – Islands In The Stream
Coldplay – Yellow
Frankie Goes To Hollywood – Welcome To The Pleasuredome
Squeeze – Up The Junction
Les Rythmes Digitales – (Hey You) What’s That Sound?
Elvis Costello – Accidents Will Happen
Britney Spears – Oops I Did It Again

I apologise for the answer in advance. Look, it’s FRIDAY!

Blogging my mother’s early memories.

EAMS wearing the dress made by her mother, worn when presenting red roses to The Queen, Inner Temple Hall, November 13th 1952.
EAMS wearing the dress made by her mother, worn when presenting
red roses to The Queen, Inner Temple Hall, November 13th 1952.

The last time I visited my mother in Cambridge, she showed me the completed project which she had been working on for the previous several months: a detailed account of her early life, from her birth in 1940 to her marriage in 1960. Drafted in longhand and then written up on an electric typewriter (no new-fangled technology for this old girl), the binder – complete with numerous pictorial inserts – runs to around 120 pages. Completed to a painstaking level of detail and accuracy, the whole enterprise must have taken her many, many hours.

Immediately, I found myself engrossed in her story: her childhood split between the Inner Temple in London and a Georgian Palladian villa on the outskirts of Weymouth, her appearance as an extra in Dirk Bogarde and Jack Warner’s The Blue Lamp, the sudden death of her mother (and the equally sudden appearance of her stepmother), her six months of study in Paris, and her fateful courtship with my father.

Although this was written merely as a family chronicle, to be passed on to myself and my sister, and although its level of detail will probably render it of interest only to a very select audience, it seems far too worthy an endeavour to waste on the two of us alone. Also, I feel rather anxious about the lack of any electronic backup copy of what is clearly such a unique and irreplacable labour of love. I’m therefore going to release my mother’s memoir in blog form, typing up maybe two or three pages a week, and illustrating it with her collection of family photos, illustrations and other sundry archive material.

Here it is, then: EAMS: Early Memories, complete with its introductory quote from T.S. Eliot.

By way of an appetite-whetter, here’s my mother’s account of the time she found herself modelling for Vogue, aged nine.


In October that year [1949] I did my first photographic work for Vogue. This was to appear in the December number to promote children’s party clothes. For me it was almost as good as going to a real party!

There was a small group of us, of whom I was the eldest. It all took place in a rather nice house somewhere in the Kensington area. I was dressed in a splendid frilly, I think pink, organdie party dress – probably smocked, as most of them were then. Over this I wore a smart outdoor coat, and a beret for the outside shot of us all arriving at the front door for the “party”, complete with a nanny carrying the youngest child in her arms.

This took several shots because one little girl, aged about three, kept turning her back on the camera. Eventually she was tricked into turning round by the offer of a cracker which she quickly snatched and turned away again. Another cracker was waved and her name called, and in the split second as she half turned back, looking over her shoulder, the photographer got his shot.

eams-31at
There followed some discussion as to whether it was appropriate that she should be arriving at a party holding a cracker, but it was quickly decided that enough was enough.

Once inside the house, coats were taken off and we went into a room where a cine camera and screen had been set up. We all sat down to enjoy a Charlie Chaplin film. and barely noticed that photographs were being taken of us. After this, £2. 7.3. was added to my Post Office account.

eams-31bt

Format firsts. (3)

First vinyl album:
1967-70 – The Beatles (1973)

beatles6770A few months earlier, my father had changed his old Fiat (registration WWW 187 G) for a new Fiat (come on, do you take me for some kind of FREAK). Out went the old in-car 8-track cartridge player, which we listened to on the school run in the mornings: Andy Williams, Simon & Garfunkel, The Carpenters, The Sound Of Music, Beethoven’s 6th Symphony, Herb Alpert’s Tijuana Brass, and the REALLY BORING one: Mario Lanza in The Student Prince. Instead, the new car came equipped with a radio/cassette player, for which new music had to be purchased. Easily my favourite of the new cassettes was the recently issued Beatles retrospective 1962-66, also known as the “double red” album. I had grown up with most of these songs, and so – even at the age of 11 – was experiencing my first kick of nostalgia.

As for its companion volume 1967-70 (the “double blue”), nothing would persuade my father to buy it – his reason being that 1967 was when the Beatles “went funny”. Long hair, weird music, dodgy Indian gurus, that awful Yoko Ono woman who RUINED John Lennon… and, of course, DRUGS. (My grandmother was firmly of the same opinion: “It’s such a pity, and they used to be such NICE boys.”) Attempting to catch him in a weak moment at a petrol station, I had almost succeeded in getting him to buy Sergeant Pepper. Only when scrutinising the cassette case did he suddenly remember that this dated from their “funny period”, and was therefore Not Suitable.

Of course, all of this only served to heighten my curiosity. As a boy, I was very much drawn to the aesthetic of the weird, the wacky, the surreal, the fantastic. I liked anything which broke the boundaries, pushing things further, stimulating my already highly active imagination. Thus the detailed, multi-coloured cover of Sergeant Pepper interested me enormously. This was one step further than The Sweet, Slade, T.Rex or David Bowie. It suggested a forbidden fantasy world of unimaginably rich possibilities.

So what could be better than a complete double album’s worth of The Beatles after they went weird? I was just beginning to understand the concept of an “album” as opposed to a mere “LP”, having heard a piece about the subject on Radio One. Albums existed on a more elevated, adult plane, as complete artworks in their own right. They were still a little bit advanced for me – but nevertheless, I thought it was about time I owned one.

At that time, I had just become aware of the albums chart. Top of the pile in the summer of 1973 was the soundtrack of That’ll Be The Day, starring David Essex and Ringo Starr: another double album, heavily advertised on TV, featuring many rock and roll classics from the 1950s. With late 1950s nostalgia starting to feature heavily in the chart pop of the time, I was interested in finding out more. Also, I did rather fancy buying the Number One album in the charts, merely for the sake of owning the Number One album in the charts. Once again, there was a little more at stake than mere access to a bunch of songs.

Back in the music department of Boots The Chemist, at the start of the long summer holiday, I dithered. Perhaps I should listen to That’ll Be The Day in one of the booths? My sister and I stood beneath the speakers, listening out for the songs which had been featured on the TV advert. As Jonny Tillotson’s Poetry In Motion blasted out (we knew that one), one of the shop porters paused in front of us, in his long brown coat, and did a little “rock and roll” comedy jig for our benefit. We giggled.

However, there was something a little dowdy about the album. It didn’t quite come to life, in the same way that all my favourite glam-rockers did. Black and white, not glorious Technicolor. Beatles it was, then.

And so it came to pass that Side One, Track One of my entire album collection was Strawberry Fields Forever, a song which I had never heard before. I can still picture myself placing the record on my little Bush player with the smoked perspex lid, and perching myself on my bed, lyrics in hand. Golly, was it ever weird! Creepy weird, sinister weird, nightmare weird – with a freaky coda that faded back in, startling and unsettling me. It sounded like how I imagined an LSD trip would be, and confirmed in my mind that I would never, ever try anything like that for myself. It was a blessed relief when Penny Lane came on next; I remembered Peter Glaze and the gang singing it on BBC1’s Friday afternoon kids’ show Crackerjack, and felt a strange shudder of longing for my own early childhood, and for the comforting security of the 1960s.

(Perhaps it’s worth mentioning that I bought this album only a couple of weeks after my parents told me they were divorcing, and my mother moved out of the family home. Interesting timing.)

Equally weird stuff was to come: I Am The Walrus, which embarrassed me by using words like “bloody”, “knickers” and “pornographic”, and disgusted me with images of semolina pilchards climbing up the Eiffel Tower, Lennon’s oddly pitched voice twisting with mockery and menace. But worst of all was A Day In The Life, whose two discordant orchestral crescendos I could scarcely bear to hear, filling me with an overpowering sense of dread. Again, something very dark and very wrong seemed to be taking place.

However, all of this was counterbalanced by sweet, playful, wistful songs such as Hello GoodbyeFool On The Hill, Hey Jude and many more: a clear majority for the light over the dark. By the end of the fourth side, the group’s collective journey through the madness was demonstrably over, as more conventional arrangements took over, and a sense of mellow, valedictory maturity came to the fore. It was scarcely possible to believe that this was the same group who had recorded She Loves You and I Want To Hold Your Hand, and I presumed that such naive juvenalia must have embarassed them by its existence. That short reprise of She Loves You at the end of All You Need Is Love: they were obviously laughing at their pre-enlightened selves, jumping around for the Grannys and the screaming little girls, in their boring matching suits. Aged 11, on the cusp of being a teenager and longing to get there as soon as possible, I felt much the same about my own early childhood: silly Enid Blyton books, silly Play School and Andy Pandy on the telly.

Nostalgia for a lost idyll; impatience to attain maturity and win freedom; fear of the dark mistakes that adults might make; delight at the breadth and scope of the human imagination; curiosity for whatever might happen next. Not a bad way to start an album collection, all told.

What was your first album?

title unknown – Abba (guyana-gyal)
Thriller – Michael Jackson (Buni)
Goodbye Yellow Brick Road – Elton John (d)
Inflammable Material – Stiff Little Fingers (Chav Gav)
Captain Fantastic & The Brown Dirt Cowboy – Elton John (“bob”)
Songs In The Key Of Life – Stevie Wonder (joe.my.god.)
Sergeant Pepper’s Lonely Hearts Club Band – The Beatles (patita)
Parallel Lines – Blondie (annie)
Tapestry – Carole King (asta)
EITHER Safe As Milk – Captain Beefheart OR The Hangman’s Beautiful Daughter -Incredible String Band (Tina)
Clodagh Rodgers – Clodagh Rodgers (Nigel)
Rio – Duran Duran (vit)
Transformer – Lou Reed (Debster)
Mud Rock – Mud (NiC)
Human Racing – Nik Kershaw (Adrian)
Dirty Deeds Done Dirt Cheap – AC/DC (bytheseashore)
Thriller – Michael Jackson (eric bogs)
Can’t Stand The Rezillos – The Rezillos (andy)
Sweet Baby James – James Taylor (Dymbel)
Love At The Greek – Neil Diamond (Alan)
Choke – The Beautiful South (Will)
Greatest Hits – Helen Reddy (looby)

Your writing sucks – Creative and Digital Writing.

I haven’t told you about this before, have I? (*)

Gulp. Wibble. Fancy paying good money to hear me witter on about Troubled Diva! No, it will all be fine. Besides, it looks like I’m on first, so there will be plenty of time to forget all about me.

I’m thinking of including an “interactive” element to my presentation, which would involve me setting you lot some relevant questions/discussion points, and then opening up the comments box in front of the live audience. Apparently, they have the technology. On the other hand, there’s only so much that you can cram into twenty minutes or so.

I’m usually fairly good at ducking out of public speaking. However, on the rare occasions when I submit to the ordeal, it invariably turns out to be rewarding and fun. Rewarding and fun… rewarding and fun… must hang onto this as a mantra for the next fortnight…

(*) I know, I know, “award-winning”. Bless them for that!

Some awfully good blog posts what I have been enjoying recently.

Because it’s always good to spread the love. Call me Old School Slash Ancien Régime, but I used to like it when bloggers were more in the habit of linking to their favourite posts.

(Not you, Ben. You do it all the time, and it’s much appreciated.)

Tokyo Girl: Park people: Everyone’s a friend at midnight. Nicely turned piece of social observation, which steers you off in unexpected directions.

Boob Pencil: Activity Changes Consciousness. Clare’s back, and dispensing motivational wisdom. (I also liked her piece on challenging writer’s block, which links in nicely.)

Girl With A One-Track Mind: Numbers. A spot-on deconstruction of the “how many people have you slept with” conversation. (Word to the faint-hearted: it’s one of her less explicit pieces, so don’t go worrying about stumbling across lots of big scary wobbly dangly bits.)

Guyana-Gyal: Trick or Treat? Naughty Ramadan scam exposed! (“Ramadan scam”… there’s a song in there somewhere.)

Finally, a couple of 60-second snacks for the severely ADD:

A Beautiful Revolution: Horoscopes. This only works if you pick the same number that I did. I’m thinking of it now. Come on, concentrate.

Conditional Reality: Control Valve. From a curious blog by an American poet, which contains exactly 100 words per day. (Sheesh, remember when I tried to do that? Actually, I’d rather you didn’t.) This isn’t necessarily the best post on the site, but I have linked to it purely for the amusement of a long-standing reader, Sarah in Paris. Hello, Sarah in Paris! This one’s for you!

Format firsts. (2)

First 7″ single (bought with own money):
Tom Tom Turnaround – New World (1971)

newworldIn 1971, somewhere towards the beginning of the long summer holiday, I started listening to daytime Radio One, following the singles charts, and watching Top Of The Pops with genuine (as opposed to passing) interest. At that time, there happened to be a whole clutch of records at the top of the charts which appealed to my nine year old’s aesthetics: happy, tuneful, catchy bubblegum which was easy to learn and fun to sing along with. It was an ideal moment to become hooked.

Leading the pack was the irresistible Chirpy Chirpy Cheep Cheep by Middle Of The Road – which, like Knock Knock Who’s There before it, was bought for me by my grandmother. Indeed, I have always thought of it as my official First Single – the one which (ahem) turned me on to rock and roll. Well, you’ve got to make a start somewhere.

Following closely behind were The Sweet’s Co-Co (steel drums, nonsense lyrics, increasingly shrill key changes), Lobo’s Me And You And A Dog Named Boo (kiddie-friendly acoustic folk-rock), Never Ending Song Of Love by The New Seekers (featuring some lovely choral interplay, all chiming doo-doo-doo‘s and shimmering ba-ba-ba‘s)… and, from another former winner of ITV’s Opportunity Knocks, New World’s Tom Tom Turnaround.

There was also Dawn’s jolly Knock Three Times (but that was going down the charts, so I wasn’t so interested); Greyhound’s pop/reggae plea for racial unity, Black And White (which I found facile and tiresome, even at that age); Diana Ross’s haunting I’m Still Waiting (which made me feel sad, but in a nice way); and two tunes which were still a little bit too wild and advanced for me: Get It On by T.Rex (one for the scary hairies, and I didn’t want to think too much about what they got up to), and Devil’s Answer by Atomic Rooster (whose use of the word “devil” shocked and embarrassed me; but then I wasn’t even allowed to say “Good Heavens” in front of my mother).

For several years, I had wondered how the people at Top Of The Pops compiled their Top Twenty. Did they get all the hippies to vote for their favourite song? Was it something to with being a member of the Radio One Club? As yet untainted by notions of vulgar commerce, it had simply never occurred to me that the chart was based on sales of singles. Now that I knew this, I was gripped with excitement at the thought of being able to walk into a shop and buy any song which I liked off the radio. Such freedom! Such choice! This was something which I had to experience for myself. I had some pocket money saved up. The next time that we went shopping in Doncaster, I would take the plunge.

What I didn’t know was how much singles cost. It couldn’t be very much, just for two songs in a paper bag. Guessing they would sell for around 20p each, I spent the next few days making calculations in my head. I had about 60p, so that would mean three singles, so that would mean I couldn’t have The Sweet and Lobo and the New Seekers and New World. Which one wouldn’t I buy? Probably the New Seekers. Well, they did have rather soppy smiles on the telly; the others were less showbiz, more groovy, more teenager. But then if singles were 15p, then I could buy all of them. Or if they were 25p, then I could only buy two. And so on, and so on.

I was taken to the record department on the first floor of Boots The Chemist, in Doncaster’s Arndale shopping centre. I was quite nervous about this, as all the trendy people and the hippies and the hairies probably went there, and they might laugh at me. To say nothing of that particular breed of impossibly cool girls who always appeared in the audience of Top Of The Pops, dancing with faraway looks in their eyes, never smiling because the songs were so deep and they were probably thinking about Love. (My sister and I did quite good impressions of them in front of the telly.)

In those days, you didn’t flick through the display racks to find the singles you wanted. The only ones in the racks were stupid babyish ones for children, or boring ones by people your parents liked. Instead, all the good stuff – the stuff from the charts – was kept behind the counter, and so you had to ask for them by name. But first, I had to find out how much they cost.

45p! (Nine shillings in old money.) I couldn’t believe how expensive they were! This meant that I could only afford to buy one single. I hadn’t reckoned on this at all. Which one should I buy? The Sweet, or Lobo, or New World?

“Please may I have Tom Tom Turnaround by New World?”

I don’t really know what made me choose New World. It just seemed like the best idea at the time. In any case, it didn’t really matter which song I picked; the concept of purchase was almost more important than the concept of ownership. It was from the charts, and it was played on Radio One, and I had seen it on Top Of The Pops, and that was good enough for me.

Thus, what should – under the established terms of rock mythology – have been a defining moment (young kid, caught in the grip of an unstoppable passion, impelled to buy Seminal Classic) turned out instead to be a rather arbitrary moment (nervous little prep school boy, intimidated by imperious cool of Boots shop assistant, picks random song from the charts in a state of mild panic). For not even the most wilfully perverse of present day pop contrarians could ever claim restrospective greatness for Tom Tom Turnaround.

An early composition by the mega-successful songwriting/production team of Chinn & Chapman (also responsible for The Sweet’s Co Co and all of their subsequent hits, as well as lengthy flushes for Mud, Suzi Quatro and Smokie), Tom Tom tells the story of an errant husband and an abandoned wife, before offering redemption (for the husband at least) in its final verse and coda. There’s also a faint subtext of criticism for the abandoned wife, as highlighted by her replacement’s subtly different choice of language. (In other words: ladies, if you want to keep your man, then don’t cling and don’t nag. ‘Cos a man’s gotta do what a man’s gotta do.) As with Co-Co, there are endless upward key changes, which serve to heighten the drama. Other touches – the folk-rock inflections, the timbre of the strings, the subtle dabs of pedal steel – are pure 1971, already showing Chinn & Chapman’s characteristic grasp of the prevalent musical idioms of the day.

My love for Tom Tom – if we can call it that – didn’t last. Middle Of The Road remained my favourite act for the rest of the year, to be supplanted first by The Sweet, and then by Slade. As for my old 7-inch single: it got lost years ago. Until the advent of Napster in 1999, I hadn’t listened to the song in years. In a rush of nostalgia, I downloaded it, played it, burnt it to CD… and forgot about it all over again.

Until now, that is. Do you know what? Maybe it’s just the lateness of the hour, but listening to it again after a gap of nearly six years, it sounds kind of nifty. Here, see what you think.

What was your first single? Stone cold classic, guilty pleasure or childhood folly? Tell me. I like to know these things.

My Girl – Madness (Girl)
Dance With The Devil – Cozy Powell (dave)
Borderline – Madonna (Buni)
Telegram Sam – T.Rex (betty)
What Can I Say – Boz Scaggs (looby)
Rubber Bullets – 10cc (NiC)
Can The Can – Suzi Quatro (Alan)
Kodachrome – Paul Simon (joe.my.god.)
Long Tall Sally EP – The Beatles (Dymbel)
Magic Fly – Space (d)
Banner Man – Blue Mink (Junio)
The Man With The Child In His Eyes – Kate Bush (Chav Gav)
Twenty Four Hours From Tulsa – Gene Pitney (Tina)
Kings Of The Wild Frontier – Adam & The Ants (bytheseashore)
Step Inside, Love – Cilla Black / Me The Peaceful Heart – Lulu / Cinderella Rockefella – Esther & Abi Ofarim (Nigel)
Alone Again, Naturally – Gilbert O’Sullivan (“bob”)
Those Were The Days – Mary Hopkin (Debster)

The bug that won’t stop biting.

Oh, this is just sodding ridiculous. The flu symptoms are back with a vengeance, and the chesty wheezing won’t shift either. So I’m off work again, with a doctor’s appointment booked for Friday.

At mainly horizontal times like these, Sky Plus and the TCM channel are great comforts. Today’s viewing schedule has included:

  • In This Our Life. Good Sis (Olivia de Havilland) versus Bad Sis (Bette Davis, whadda BITCH!)
  • A Very Social Secretary. Bernard Hill does a cracking David Blunkett, in an expectation-exceeding satire which takes no prisoners.
  • Mildred Pierce. La Crawford at the peak of her powers, with Ann Blyth as the Ungrateful Brat Daughter from Hell.

So, you know, being at death’s door has its compensations. But, ah me, I have been sitting upright for far too long now. My couch beckons. I’ll buzz you if I need anything.

Mike’s cold! Now into its fourth record-breaking week!

There’s one good thing you can say about this cold: it’s full of surprises. Up one day, down the next. Nearly better, just a few renegade sniffles left, then WALLOP, and you’re back in the zone. Dry cough, tickly cough, phlegmy cough, wheezy cough, chesty cough: there aren’t enough brands of Benilyn in the world to cover it. Also, it’s always worst at weekends, i.e. when you can’t even grant yourself the compensatory luxury of a Sick Day.

OK, so going to a Goldfrapp gig with Neil, drinking five pints of lager (of varying strengths), and prolonging the “catching up” session with Alan until 1:00 this morning was never exactly going to flush it out of my system. And, um, I might have had the odd cigarette or two along the way. Just to be sociable, like. But f**k it – if I’m going to be ill anyway, then I might as well imbue it with a sense of purpose.

The upside of this hideous affliction is that it gives me absolute carte blanche to make crap, rambling, semi-delirious blog posts… because at least I’m Making An Effort, and can therefore be granted immunity from criticism. After all, it’s the one immunity I have left to my name.

So I might eventually regret telling you this story. However, as I’m in no condition to judge its appropriateness, I shall plough on regardless.

But first, in best Ronnie Corbett fashion, a preliminary digression. Please feel free to cast me in Golfing Casual wear, hunched forward on a Parker Knoll, fiddling with my glasses.

We had a rather random Saturday night. The plan was for K and I, OldEngland, “Bob” and Mrs “Bob” to grab an early evening pint and a simple bite to eat, somewhere we hadn’t been before. OldEngland had been tipped off about a place which sounded perfect: tiny, traditional, great beer, simple home-cooked game pies and stuff, in the Good Pub Guide, etc etc.

About ten minutes into the drive, we finally got round to mentioning the name of the place to “Bob” and Mrs “Bob”. At which point, “Bob” let out an agonised gasp.

“We can’t go there! It’s officially the worst pub in the world! Everybody I know says so!”

“But it’s supposed to be traditional…”

“Well, yeah. Traditional as in basic, scruffy, dog-rough, inbred, hostile, intimidating…”

Luckily, I had an Emergency Plan B. So we ended up in Longnor instead.

Longnor is a small place, but with four pubs in close proximity, and a chip shop. God knows how they manage to sustain so many. Maybe they just like their beer in Longnor. We ruled out the Robinsons pub, and the rather forbidding looking place with the steamed-up windows, and headed for The Horseshoe at the far end of the main square. Oh, oh, oh! Best Pint Of Marston’s Pedigree, Ever! Seriously! It’s my favourite beer anyway, but this was just perfect.

crewe

Next, we crossed the square to the Crewe & Harpur Arms. (I’ve grabbed a screenswipe from the “virtual tour” section on this link, as it shows the exact very same table where we sat.) This has been recently taken over and refurbished, with a smart formal dining room, a large, cosy bar, and an uncommonly welcoming and hospitable landlord: fresh out of the RAF (as of two weeks ago), full of infectious enthusiasm, and with major aspirations for the place.

The food, my dears, was sublime. I knew we were onto a winner when I tasted the lettuce which came with the chicken liver starter: proper, fresh, just out of the ground stuff. (This has been my big gastronomic discovery of the summer: the simple joy of the freshly plucked lettuce. Who knew that they had so much flavour? Or, indeed, any flavour at all?)

As we dined, the landlord revealed that he was also a professional calligrapher, and was there anything that we’d like him to inscribe? Still chatting, while almost absent-mindedly whizzing his nib across a piece of folded-up cartridge paper on the bar, he knocked this up for us in scarcely less than a minute:

tdcallig2m

And then, by special request:

tdcalligm

But this was not the end of his talents, oh no. After our meal, he hopped over to the adjoining piano, and led the whole bar in a rousing rendition of Dame Elton’s Your Song, followed by Let It Be and Bridge Over Troubled Water. Traditional sing-songs round the old Joanna, no less! We Peak District folk still know how to make our own entertainment! You can keep your new-fangled “jukeboxes” and “disc jockeys”. It was jolly. We’ll be back.

The following afternoon, while I was pruning the honeysuckle out on the street, and K was doing complicated “putting to bed” things with the lawn, a couple of familiar faces swung by on their afternoon constitutional. Pleasantries swiftly exchanged, the husband cut to the chase.

“Chaps, I’d like to ask you something. Do you actually find penises attractive? Or are they just, you know, a means to an end? Because I can’t see the appeal.”

(I can’t be 100% certain that he actually said “means to an end” – but if he didn’t, then he certainly should have done.)

Placing my secateurs and trug on the verge, and resting my hand lightly over K’s shoulder, I stood up straight and proud, and looked him in the eye. Man to man.

“That’s a simple question to answer, and I am happy to answer it. On behalf of us both, and indeed of our whole community, I can confirm that… yes, we LOVE cock.”

It was only at this point that the four of us glanced hurriedly round to check that there weren’t any children in earshot. (There weren’t.)

“I think it’s the fact that, if you get close enough to them, they change their whole shape. An outward visual manifestation of an inner state of desire. Most alluring. Beautiful afternoon, isn’t it? We’ve been trying to decide on next year’s tulips.”

I love village life, I do. You just don’t get the same quality of discourse on the streets of Nottingham.

Format firsts. (1)

First 7″ single (bought for me):
Knock Knock Who’s There? – Mary Hopkin (1970)

hopkinAh, who could forget the two-way diva-meets-diva Bitch Fest of the 1970 Eurovision Song Contest, as Opportunity Knocks winner and Beatles protegé Mary Hopkin was pitted against that lilting colleen from across the Irish Sea, Dana Provincial?

I was already a fan of La Hopkin, having seen her and Tommy Steele in panto at the London Palladium, where we all sang along to her big hit, Those Were The Days, as well as Steele’s “Junior Choice” favourite, Little White Bull. And I was already a fan of Eurovision, having watched Cliff Richard being pipped at the post by Spain in 1968, back when the contest was screened before my bedtime. This time round, as with Lulu in 1969, I wasn’t allowed to stay up late, and so relied on my grandmother’s account of the evening. She had been most unimpressed with Lulu’s allegedly scruffy demeanour (“Straight off the plane! The silly girl had no time to comb her hair!”), but was charmed by Mary – and Dana – in 1970. So much so, that she bought us copies of both their singles.

As my sister’s kindergarten class had been singing it at school (something which I considered terribly daring and modern), she was given Dana’s winning song All Kinds Of Everything, with the equally lilting Channel Breeze on the flip. Meanwhile, because I had been following the weekly Song For Europe qualifying contest so avidly, I was given Mary Hopkin’s single, on the Beatles’ Apple label – backed with the runner-up song, the even more jaunty I’m Going To Fall In Love Again (The Very Next Chance I Get).

There had been singles in our house before – the earliest being The Beatles’ She Loves You, which I regard as Side One, Track One of my entire life – but, aside from kids’ records (Johnny Morris from TV’s Animal Magic telling the story of Lorenzo The Llama; Vivien Leigh – yes, that one – reciting Beatrix Potter’s Tale Of The Flopsy Bunnies), Knock Knock was the first one that was actually, officially mine. A lifelong interest in Eurovision (apart from a few years when it went a bit crap in the 1980s) was born.

Looking at the lyrics now, my twisted 21st century brain can’t help wondering whether there hadn’t been a risqué subtext to this seemingly harmless ditty all along. Check this out:

Climb the stair, and then I say a prayer
For someone who could share my situation,
But instead, as I lay down my head,
I have to leave it all to my imagination…Knock knock, who’s there?
Could this be love that’s calling?
The door is always open wide.

Knock knock, who’s there?
Now as the night is falling,
Take off your coat and come inside.

Hands where we can see them please Mary, there’s a good girl. OK, so it’s no Sugar Walls – but, you know, slippery slope.

No such trouble for Dana the country girl, so pure and sheltered that she even lacked the descriptive language to articulate her innermost desires. (“Dances! Romances! T’ings of der Noight!“) Next to such innocence, the following year’s UK entry from Clodagh Rodgers, Jack In The Box (“I’m going to bounce up and down on my spring!”) looked positively debauched. How far we have come, ladies and gentlemen. How far we have come.

Eyup, Reluctant Nomad has discovered meme “tagging”.

Oh, bless those darling little newbies! My dear friend Alan – not knowing that I am far too important and influential a blogger to be bothered with such trifles – has decided to “tag” me with a meme thingy. To wit: he wants me to post a picture of my computer, and its immediate milieu.

Since it would appear to be Meme Week on Diva, and since I would hate to disoblige a friend (a real-life meatspace friend at that, not one of your namby-pamby Met You Once At A Blogmeet And Now We’re Like Sisters constructs), and since I’m still trying to will my blogging mojo back into life by any means at my disposal…

…here is an exhaustively annotated picture of the very place where a significant proportion of Troubled Diva is created, as snapped after I got home from work yesterday evening. (The annotations represent an attempt at Adding Value to what might otherwise be a deeply dull post. I do try and go the extra mile.)

desk01t

1. Lovely Dell computer, as ordered online about 18 months ago. Easy to order, good on price, prompt delivery, doddle to install, no subsequent problems, happy customer, recommend them to anybody. K insisted that we splash out on the flat-screen monitor, and I’m glad he did; it’s vastly easier on the eye. (It’s also much better at displaying nice, bright, cheerful versions of my digital photos – unlike the machine I’m currently using, which has seen fit to render the above image in several shades of sludge. For optimum viewing results, please come round to my house and look at them on my computer etc etc.)

2. Not so lovely Dell printer/scanner/copier/fax – as ordered at the same time as the PC, in total ignorance of the Great Dell Ink Cartridge Scam. (Basically, no other makes of ink cartridge are compatible, so you have to keep ordering from Dell, at a hideously inflated price. Avoid avoid avoid.)

3. This is the very microphone which I use to record the Troubled Diva podcasts!

4. Brand new so-called “digital” phone, which K picked up at reduced price from Dixons on Monday. I know, I know. I wanted to warn him, but I was in a bit of a hyper-critical mood on Sunday (nasty touch of flu), and didn’t dare venture yet another negative opinion. So we’re currently lumbered with this absolute piece of shit: terrible reproduction quality, which makes it sound like you’re speaking from a padded cell, at the bottom of a well, while someone does the hoovering in the background. Digital my arse.

5. Horrible unaesthetic chair, reduced to clear in Office World about 6 or 7 years ago. Unergonomic in design, and it squeaks every time that you so much as twitch. Plus it’s grey, and so clashes with the entire room (and indeed the entire house).

6. Spare chair, for those Darling Let’s Surf The Web Together moments. (Consquently covered with random bits of paper for 90% of the time.) This was relegated from the sitting room, once its combination of wicker and curvy metal began to scream Early 1990s.

7. Jumbo spindle of blank CDs, ready for burning. If I’ve done you a CD in the last few months, then it will have been peeled off this spindle.

8. Sturdy beech-effect IKEA desk. (Yes, we do occasionally give house room to IKEA products. They’re particularly good on office stuff.) The drawers contain 95% crap which didn’t have a home elsewhere; I only ever open them to retrieve the digital camera, which lives in the middle drawer.

9. Exciting M15-approved electronic paper shredder, as purchased by K while he was still working from home. Because you can’t be too careful. (We’ve had someone go through our wheelie bin on a couple of occasions. Or maybe it was the local fox. Yes, the Park Estate has its own fox. It’s a wonder the residents have never taken up hunting. After all, it’s not as if they ever pass up a chance to be faux-gentry.)

10. Waste paper bin, which our cleaner never empties because it has scary modern technical stuff in it like discarded CDs, and she doesn’t like to tangle with such matters. Oh God, I’m blogging about our cleaner. Take me out and shoot me, before I morph into Polly Filler.

11. Terracotta mug, bought from IKEA in 1992 when we moved into the house, containing a freshly brewed cup of Twinings English Breakfast. Note the sad lack of Troubled Diva merchandising in the mug arena (and indeed in the mousemat arena). Because, believe it or not, I don’t actually own any of my own merchandise. Well, it seems a little masturbatory, don’t you think?

12. Painting, by Alicia Dubnyckyj, of the Little White Wedding Chapel in Las Vegas. Let’s look at it properly, shall we?

alicia2

Bought (and blogged) in January 2003, this painting took on an added level of interest a year later, when the chapel in question was used by Britney Spears for her Whoops I’d Had A Few Too Many 24-hour marriage to “childhood sweetheart” Jason Alexander. Perhaps they have a commemorative plaque there now.

13. A bunch of recently digitised CDs. (The CD burner is out of sight, behind the nasty grey chair.) Top of the pile: a CDR of Jet Propelled Photographs by Daevid Allen’s University Of Errors, as copied by my mate Stereoboard, and consisting of latter-day space-prog covers of extremely early Soft Machine tunes. Yes, it’s a bit Niche even by my standards.

14. It’s very untidy of me to leave it lying around like that, but the iPod to USB connection cable is used so frequently, that there’s scarcely any point in tidying it away. Everyone’s allowed one area of the house where they can be a total slob, right?

15. The only bookshelves in the house, which run from floor to ceiling in this handily placed alcove. Unlike with music, we’re not great hoarders of books, unless they’re hardbacks or contain pretty pictures. Read ’em, pass ’em on, or bung ’em in a box for the charity shop. Anyway, just visible in this shot are: In The Fascist Bathroom by Greil Marcus, an original 1950’s collection of Ronald Searle‘s St Trinians cartoons, and a large number of signed and dedicated first editions of Dymbel’s Young Adult Fiction paperbacks.

Any further questions? And shall I “tag” someone this time round?

Yes, I shall. Peter, you’re It. Show us yer workings!

Lazy-ass music meme.

Cheaper and quicker than cognitive behavioural therapy: just stick your MP3 player on shuffle, and let it answer the following set questions, oracle style.

1. What do you think of me, Random Music Player?
Emily Snow – M. Craft.

I’m not sure how this got onto my iPod, but it turns out to be a wistful, mournful, slightly twee acoustic ditty concerning the impermanence of human relations.

Where do we go, now all the late night bars have closed, and our friends have turned to shadows? People come and people go… blink of an eye… we’re all gonna die… so what are we waiting for tomorrow?

Well gee, THIS is working. THANKS for that, iPod! Is there any point in continuing with this? Or with anything? Anything at all?

Also, I don’t take awfully kindly to being called Emily Snow. It makes me sound like some sort of coke-sniffing spinster, and I refute the comparison utterly.

Or perhaps this is some sort of “confrontational” therapy, deliberately designed to challenge and provoke? We shall see.

2. Will I have a happy life?
Six Days – DJ Shadow.

So does that mean that I can only expect six days of happiness in the rest of my miserable life, or that I’ve only got six days left on this benighted planet? F***ing hell, enough with the doom and gloom already! Where are we going with this?

You could be sitting taking lunch, the news will hit you like a punch, it’s only Tuesday… tomorrow never comes until it’s too late.”

This is one miserable dirge. I scarcely dare continue.

3. What do my friends really think of me?
Childrens World – Maceo Parker.

Good grief, this sounds even more mournful and tragic than the DJ Shadow track, as a lone sax picks out a ragged, forlorn solo over softly descending organ chords and understated, bluesy guitar chops. For, like, over ten minutes. Maceo Parker is best known for his sizzling, ecstatically funky work with James Brown’s band… so what happened here?

I have visions of my friends all standing round and shaking their heads in sorrow, in a kind of what-went-wrong way. “He could have been someone… if only… he never really grew up though, did he…

Towards the end, things reach a kind of frenzied crescendo of agonised wailing, with multiple horn solos all kicking off and singing their own disconnected songs of individual pain. Was it something I said?

4. What does my Significant Other think of me?
Od Yeshoma – Oi Va Voi.

Jeez, more lush downtempo lugubriousness. What’s UP with this iPod today? Where’s the DISCO, fer chrissakes?

Whatever it is that K thinks of me, he has chosen to express it in the form of a traditional Hebrew prayer. Well, we do pride ourselves on never doing Obvious and Slushy. Ah, here’s a translation.

Still will be heard in the mountains of Judas, and in the streets of Jerusalem. A voice of laughter and a voice of joy, A voice of a groom and a voice of a bride.

Well, I suppose that’s vaguely cheering, if a little obtuse. Or maybe he’s planning to elope with a nice Jewish girl, leaving me standing at the altar registrar’s table, sweating in my nice Paul Smith suit, nosegay already wilting in my clenched fist?

Moving swiftly on…

5. Do people secretly lust after me?
Yesterday – Matt Monro.

Suddenly, I’m not half the man I used to be…” I swear I’m not making these up. Still, that would explain the lack of shitty sticks down NG1 last Friday.

6. How can I make myself happy?
We’ve Only Just Begun – The Carpenters.

So many roads to choose. We start off walking and learn to run.

Following many months of referrals, screenings and false starts, my first proper CBT session took place yesterday evening. Mountains to climb, streams to ford, etc etc. Nuff said.

Talking it over, just the two of us. Working together, day to day.

Someone inside that infernal machine is HAVING A LARF.

7. What should I do with my life?
A Rose Is Still A Rose – Aretha Franklin.

Baby girl, you’re still a flower… darling, you hold the power.” This is WAY too Zen for a prosaic soul like me. Give me simple messages, dammit! And enough with the camp over-familiarities – a little professional distance would be appreciated, thank you.

8. Why must life be so full of pain?
Call Me – Feminnem.

There were times when I really doubted, if after stormy weather always comes the sun. But now I can see the world from a different side, yeah…

At last! It’s sunny, it’s bouncy, it’s breezy, it’s lively: it’s this year’s Eurovision entry from plucky little Bosnia & Herzegovina, sent to banish all sadness and fill my heart with gladness. For when a Eurovision song is playing, then nothing bad can happen to y…

Fifty candles on the party cakes, for many years of happiness.

Oh, just f**k off and DIE. I’M FORTY-THREE!

9. How can I maximize my pleasure during sex?
When Poets Dreamed Of Angels – David Sylvian.

She rises early from bed, runs to the mirror, the bruises inflicted in moments of fury. He kneels beside her once more, whispers a promise: next time I’ll break every bone in your body.

OK, now you’re just scaring me. May I see your certificate?

10. Can you give me some advice?
Every Party Has A Winner And A Loser – Erlend Øye.

Save your platitudes for Blackpool, pal. Do I even look like David Cameron? (Who was described by Rory Bremner on this morning’s Today programme as a political iPod, curiously enough.)

11. What do you think happiness is?
Doop – Doop.

Now we’re singing from the same hymn sheet. Happiness is… an instrumental novelty number. Indeedy-doody-doo!

12. Do you have any advice to give over the next few hours/days?
Peach Trees – Rufus Wainwright.

And I really do wish you were here next to me, cos I’m going to see James Dean. There I will be, under the peach trees with him.

This must be some sort of tit-for-tat reprisal for the nice Jewish girl. Frankly, I think I’ve got the better deal.

13. Will I die happy?
Small Song – Lhasa De Sela.

I made a small small song. I sang it all night long, all through the wind and rain, until the morning came. This song is my small song. I sang it all night long, and when the morning came, I had to start all over again. My song is so so small, I could get down and crawl, searching from wall to wall, and never see anything at all. How could you hate such a small song? If i was right, I would be wrong. Don’t be afraid, it’s just a small song.

Oh, iPod. And I thought we were on the point of a breakthrough. Same time in a fortnight, is it? Yes, I’ve got cash. No, I’ll see myself out.

Moral: Man, that machine has more issues than I do. Perhaps this was the point all along.

Don’t worry: I shan’t be “tagging” anyone with this, as I believe common parlance now has it. What is this, the school playground?

(Yes, I take your point.)

Update (1): guyana-gyal suggests playing some Donna Summer and doing the answers again. An excellent suggestion. Here are the (very different) results.

Update (2): Meg of me(ish) dot org takes the meme, mutates it a bit, then does her own iTunes-on-shuffle splurge. (Yay, John Martyn’s cover of Glory Box!)

(via various places, including here and here)

Highly respected and influential Destination Blogger comes back from a blogmeet and posts almost nothing for two weeks; world keeps turning SHOCKAH.

So, explain this to me.

I’ve been weighing myself every weekday morning for about six weeks now. Frustratingly, and despite making a conscious effort to watch what I eat (K’s got me on starvation rations), my weight continues to oscillate between two fixed points: 11:4 and 11:8. (That’s stones and pounds; can’t be arsed to do metric conversions.)

Indeed, the only time I’ve ever dipped below 11:4 was over the weekend of the Secret London Gathering Of Extremely Nervous People With Weblogs, where a combination of a) forgetting to eat anything more than railway sandwiches and b) a heightened state of anxiety at Facing One’s Peers sent me briefly plummeting to 11:3 and a bit.

Yesterday, I enjoyed a large cooked FREE! lunch at Broadway cinema (the third occasion where blogging has earnt me a free lunch, but we’ll come to that another time), before chowing down on another large cooked FREE! supper at The Dragon. (Part office social, part colleague’s leaving do; see you around, A.)

I then proceeded to sit on my fat arse in the same pub for the best part of six hours, during the course of which I necked five pints of Adnams bitter. Not what you might call one of my healthiest days, then.

Perhaps this would be a good moment to explain my morning getting-out-of-bed routine, which is precision gauged to deliver optimal results. Whereas in the old Who Gives A F**k If I’m Fat days, I would…

1. Wake up.
2. Drink a pint of water in bed.
3. Have a wee.

…my new routine goes like this…

1. Wake up.
2. Have a wee.
3. Weigh myself.
4. Drink a pint of water.

…because when you’re watching your weight, it helps if you’re as, um, empty as possible. Come on, I’m no fool.

This morning, imagine my astonishment to find myself checking in at 11 stone, TWO AND A HALF POUNDS! A new record! Why, I’m positively sylph-like! I hardly have to breathe in, or anything!

I can only deduce that alcohol-induced dehydration works wonders for the figure.

Good. Better start doing it more often, then.

(I am SO hitting NG1 after tonight’s Broadcast gig. They’ll have to beat them off me with a shitty stick.)

The Dong with a Luminous Nose.

Sunday, late afternoon. Mike is sitting on the bench at the far end of the long lawn, back to the street, newspaper in hand. K approaches, bearing two cups of Earl Grey. Mike looks up.

M: The tip of your nose is all shiny and orange.

K: Oh, I think I know how that happened. Shit!

M: What did you do?

K: This is so embarrassing…

M: Come on, tell me.

K: I was, er, sniffing the day lilies. You know, while I was dead-heading them. I must have stuck my nose in a bit too far.

M: Eurgh, lily crap!

K: Awful stuff. Has it gone yet?

M: No, you need to give it more of a wipe. Try wetting your finger. Almost. Yep, all gone.

K: Oh dear, that’s just so…

M: Don’t worry. It’s a commonly observed condition.

K: What’s that, then?

M: Ponce-nez.

K: Hahahahaha!

M: Hahahahaha!

K: That would make a good little vignette on your blog. Are you going to write it up?

M: I’ll think about it.

K: Ponce-nez! Hahahahaha!

Unintentional mini-hiatus.

I dare say that some of you might be wondering where I have been. Well, it has been a funny old week.

First and foremost, there was the Work Thing. All of a sudden, what had seemed like a comfortable and achievable deadline became very imminent, very risky, scarily dependent on other random factors outside of my control, and absolutely, one hundred percent, on-pain-of-death (my death, not anyone else’s) unmissable. So, I’ve had to pull the stops out a bit. Head down, fingers flying, phones a-ringing, e-mails a-pinging, poor little brain a-spinning, push push push nag nag nag questions questions questions politics politics politics…

…and we made it. Lunchtime today, everybody happy, no egg on face, no money down the drain, no wasted flights next week, pats on backs all round.

You know the really scary thing? I actually rather enjoyed the experience. Arbeit macht frei, or something. Also, despite the pressure, I have remained weirdly calm throughout. Well, it’s not as if I could afford the luxury of panic.

None of this was helped by my streaming head cold, which kicked in last Sunday and has been ravaging my system ever since. (It did seem like rather a disproportionate hangover, especially after the second day.) I’ve also had problems sleeping for the past week – something from which I almost never suffer.

Added to this, my evenings have been unusually full, with little or no time between leaving work and commencing the evening’s activity: a concert, a meal, and a major re-organisation of the Nottingham house (we’ve just had the decorators in).

So… blogging? Pah! Leave it out! Basically, I’ve had neither the time, the energy nor the headspace. Hell, I’ve barely even been reading them, let alone writing them. Normally, I’d be looking forward to catching up over the weekend – but we’ve got a Nuclear Family coming to stay (Mum, Dad, two little smashers) from tonight until Sunday. Charming people, but the prospect of playing the Perky Host all weekend feels a little daunting right now. Never has the tantalising mirage of couch, wine and crap Friday night telly seemed more alluring.

I wasn’t put on this earth to toil and to suffer. Normality (and articulacy) should return next week. Have a nice weekend!

Inner voices.

Something occurred to me earlier today.

A lot of my favourite weblogs are what you might call “personality based”, ie. where the unique, distinct personality of the blogger is clearly discernible in the writing style.

When reading these blogs, I will often imagine that they are being read out loud by their author. Consequently, a little “performance” voice will switch itself on in my head, as I start to dramatise the reading to myself: accents, cadences, pauses, the lot. (It must be the repressed thesp in me.) This phenomenon is particularly evident when I have either never met the blogger in question, or else have no tangible memory of their speaking voice.

Right now, I’m particularly proud of my Guyana-Gyal: a blog which absolutely reads to me as if it were the script for a series of filmed monologues.

Does anyone else ever do this? Have you ever done this while reading this site? And if so, then did my podcasts make any difference to your interpretation? (I ask this because my Naked Blog voice has shifted somewhat, after hearing Peter recite some of his posts.)

This is torture!

I would love to tell you which celebrity K is talking to right now, even as I type – but the information is, as they say, “embargoed”. All I can safely say is this: she has been on the front cover of Heat, Hello and OK, and her level of celebrity was sufficient to send K into a MAJOR Outfit Tizz yesterday evening.

(It took a good hour, several jackets, most of his smart trousers, and his entire shoe collection – but the Paul Smith suit we eventually selected combined vet-friendly brown corduroy with a sharp, celebrity-compatible cut. I could charge for this sort of work, you know.)

The trouble is: I hate having to keep secrets. One of life’s blabbermouths, that’s me. Mainly because I can never quite see the point of secrets, even when the need for them is screamingly obvious to anyone else with half a brain. There’s just something about the whole concept of secrecy which bothers me; a hangover from the whole “coming out” process, no doubt. For once you’ve broken free from a secret as major as your sexual orientation, it is tempting to view all “lesser” secrets as not worth keeping. It’s a strange kind of naïve adolescent idealism, which I’ve never fully grown out of.

I am also burdened with a more childlike desire: to be The One Who Breaks The Big Story. There is something delicious and irresistable about watching people react to a juicy piece of news which I HAVE TOLD THEM; it makes me feel all Important and Special, rather like that awful gossipy elephant in Dumbo. Combine these two factors, stir in my abilities as a Good Listener (providing you’ve got some good dirt to dish, that is) – and you’re left with a dangerously unmanageable personality trait, which has got me into some awful trouble over the years.

Perhaps I should have gone into journalism years ago.


STOP PRESS: The embargo has been LIFTED!

Tell you what: let’s play Name That Celebrity Twenty Questions in the comments box. One question per person please, and your question should be phrased so as to expect either a “Yes” or a “No” answer.

Readers of the Brighton Argus – and I’m sure there are many – will be able to discover the answer for themselves in Friday’s edition.

Off you go!

Note 1: As this celebrity is not widely known outside the UK, overseas readers will be operating with a fairly massive handicap.

Note 2: Alan, Dymbel, Mish and JP are forbidden from participating. Well, breaking the embargo to carefully selected confidantes is no crime, is it? Quod erat demonstrandum, I guess.

1980s “New Pop” – my personal top 50.

Because it has been far too long since I posted one of my meaningless music-geek lists – and in honour of Pitchfork magazine’s noble effort, which appeared earlier this week (not at all bad for a bunch of Americans!) – here’s a list of my favourite singles from the so-called “New Pop” era, as championed by the likes of Paul Morley in the NME during the early 1980s.

The rules for inclusion are: one track per act, singles only, UK artists only, nothing before Buggles or after Band Aid.

1 – Poison Arrow – ABC
2 – Party Fears Two – the Associates
3 – The “Sweetest Girl” – Scritti Politti
4 – Duel – Propaganda
5 – Love Action – Human League
6 – Relax – Frankie Goes To Hollywood
7 – Temptation – New Order
8 – Ghosts – Japan
9 – Poor Old Soul – Orange Juice
10 – Reward – The Teardrop Explodes
11 – Say Hello, Wave Goodbye – Soft Cell
12 – Time (Clock Of The Heart) – Culture Club
13 – Our Lips Are Sealed – Fun Boy 3
14 – It’s Going To Happen! – The Undertones
15 – Candyskin – Fire Engines
16 – Promised You A Miracle – Simple Minds
17 – Videotheque – Dollar
18 – (We Don’t Need This) Fascist Groove Thing – Heaven 17
19 – Cambodia – Kim Wilde
20 – Souvenir – OMD
21 – C30 C60 C90 Go! – Bow Wow Wow
22 – Video Killed The Radio Star – Buggles
23 – Favourite Shirts (Boy Meets Girl) – Haircut 100
24 – Sorry For Laughing – Josef K
25 – My Camera Never Lies – Bucks Fizz
26 – Just Can’t Get Enough – Depeche Mode
27 – Wham Rap – Wham!
28 – Stop That Girl – Vic Godard & The Subway Sect
29 – Baby It’s True – Mari Wilson
30 – Goody Two Shoes – Adam Ant
31 – Save It For Later – The Beat
32 – The Story Of The Blues – Wah!
33 – Smalltown Boy – Bronski Beat
34 – Fade To Grey – Visage
35 – Ever So Lonely – Monsoon
36 – Buffalo Gals – Malcom McClaren
37 – Forbidden Colours – Sylvian/Sakamoto
38 – Ghost Town – the Specials
39 – Snobbery And Decay – Act
40 – Chant No. 1 – Spandau Ballet
41 – Dog Eat Dog – Adam and the Ants
42 – Beat Box – the Art of Noise
43 – Our House – Madness
44 – Only You – Yazoo
45 – Am I Normal? – David
46 – Don’t Talk To Me About Love – Altered Images
47 – Cruel Summer – Bananarama
48 – A Song From Under The Floorboards – Magazine
49 – Uncertain Smile – The The
50 – I’m In Love With A German Film Star – The Passions

What would you have added to the list?

Countdown to civil partnership: making plans for that special day, with Mike and K.

– Did you get your web access back at work today?

– Yes, we did.

– So have you got round to reading the final part of my “wedding” series yet?

– Oh, didn’t you see my comment?

– Well, there wasn’t one at ten to six…

– Hmm, the screen did go a bit funny after I pressed the Submit button. It must have got lost.

– What did it say?

– I’ll type it in again, shall I?

[…]

– OK, it’s done. Do you want to swap places?

– Where is it? Oh, you’ve closed the window. Ah, got it. Yes, haha, very good.

– Thank you.

[…]

– You know, this is a very post-modern way for a couple to discuss these issues. Most people would just have an actual conversation.

– Pfft, who wants to do that?


From the Women & Equality Unit of the DTI: Civil Partnership Act 2004 – Frequently Asked Questions.

“A civil partnership will be registered once the couple has signed the civil partnership document in the presence of a registrar and two witnesses. The exact format of this document is still being finalised. There will be words printed on the document which the couple will be able to say at the time of signing the document, though the exact words are still to be confirmed.”

Two witnesses, eh? People are just going to have to form an orderly queue.

Also, I do hope there’s going to be none of that “With my body I do thee worship” business. Most unseemly. Especially at our time of life.

Creative writing assignment, satire module #1: How would you word such a document? Let’s have some vows that today’s modern same-sex couples could really use! Answers in the comments, please.

Full information from the DTI, including a downloadable version of the official Civil Partnership booklet (released today), can be found here.

Update: My colleague JP has just downloaded the booklet, and has printed off two copies: one for him and his intended, and one for me and mine. This is so COSY! All of a sudden, we’re turning into those irritating people in the office who keep discussing their wedding plans! (Sorry, S. You KNOW I don’t mean you.) Yay for equality! Are you collecting for your bottom drawer?