Arbeit macht frei.

(Today, Joe asked his readers: What’s the worst job you ever had? This is an extended version of the answer I left in his comments.)

Aged 17, in the summer of 1979, I took a holiday job at a wholesale warehouse, back in the South Yorkshire town where I was born. Well, I say “took”, as if there were some element of choice in the matter; in actual fact, there was none.

Rather than have me loaf around at home for six weeks, my father decided that it would be “character-building” for me to step out into the “real world”, and so had a word with the bosses of the warehouse: two brothers, both the living embodiments of the puffed-up small town plutocrat. From their handlebar moustaches, cherry-wood pipes, watch-chains and waistcoats, to the cut-glass decanters of whisky in their offices and the mahogany veneer on the dashboards of their Bentleys, they could have stepped straight from a left-wing political cartoon of the 1920s. All they needed to complete the picture were little bags of cash piled up on their desks, each marked with a big pound sign.

The interview, with the warehouse’s kindly operational manager, was a mere formality. After no more than a couple of minutes, he beamed his congratulations. “You’ve got a job!” Fifteen pounds a week, start Monday.

Up until this point, I had never been burdened by much in the way of hard manual labour, as the soft folds of flesh on my palms would (and still do) testify. Indeed, I was more or less your classic lily-livered nine-stone wimp, with meekness to match. Whereas nowadays, I can generally laugh off my perpetually troubled relationship with the physical world (“I exist on a rarified cerebral plane!” “I’m an effete drawing-room fop!”), my exceptional lack of physical co-ordination and stamina was still a source of great self-consciousness and shame.

Nevertheless, I was greeted warmly by my new colleagues, most of whom were only three or four years older than me, when I joined them at the loading bay for crate-shifting duties. The work was tough, and my body never stopped aching from one day to the next – but I did my best, and my comparative lack of skill was accepted with no more than mildest of ribbings. (“How many O-levels did you say you had? Ten? Yeah, but I bet you can’t lift this crate – here, catch!”)

However, it was only a matter of time before word got out that I was “a friend of the boss” – which was hardly surprising, as the older of the two brothers frequently gave me a lift back to my father’s office at the end of the working day. In truth, I despised the man – and felt downright loathing towards his lazy, arrogant younger brother, with the scarlet face and the liver spots, who barely bothered to disguise the contempt he felt towards the men whose labours kept him in creature comforts. Since rank-pulling was all he had, he duly insulated himself with delusions of his own natural superiority, and strutted round the warehouse in a perpetual state of faux-patrician peevishness.

The contempt was, needless to say, mutual. It was also contagious. One by one, my former comrades gradually cold-shouldered me, their former good-natured joshing replaced by icy stares and silent, barely suppressed malice. Only the older men continued to treat me as before, their knee-jerk them-and-us mentalities tempered by observation and experience. Occasionally, one of them would take me aside and discreetly ask after my welfare. (“Some of these young ‘uns, they won’t understand.”)

I should have confronted the situation, of course – but my sense of disempowerment was total. Instead, I bit my lip and knuckled down, my already low self-esteem plummeting ever further.

Eventually – and presumably this was for my own well-being, and kindly meant – I was moved out of the loading bay, and taken to the larger and much quieter warehouse round the corner. There, I was given a small (and fairly blunt) hand scythe, with which to cut down the tall weeds that flanked the long entrance drive. The job took many days, and was mind-numbingly arduous. I particularly remember the younger brother standing over me as I struggled on the first morning, taking puffs on his pipe, and hissing into my ear: “Don’t let them see you’re a weakling.” Once again: them and us. I deeply resented being placed into the middle of this set of assumptions and perceptions, but continued to say nothing.

(What I wanted to do, more than anything else, was show solidarity with my fellow workers, to explain that I was no management stooge and no industrial spy, that I thought that their bosses were wankers just as much as they did, and that I hadn’t even wanted the shitty job in the first place. But you can see the potential pitfalls in that.)

There was one last humiliation in store. My step-sisters – who had their own reasons for despising me, but that’s a whole other story – had a friend whose boyfriend worked at the same warehouse. Word of my progress, or lack of it, filtered back, and was eventually, and with no small measure of relish, thrown in my face. (“You don’t do any real work. We’ve heard! You just sit in the garden all day!”)

Still saying nothing, I comforted myself only with thoughts of escape. Four months later, I seized my chance, never to return.

A few years later, I met the younger brother once again, at a formal dinner that was regularly staged by the self-styled intelligentsia of the local business community (no women admitted). My father had dragged me along, eager for the fifth generation of first sons to make his social debut, and had duly shoved me into an ill-fitting hired dinner suit, with a particularly rank frilled trim on the lapels.

“Monty, do you remember my son Michael?”

“Of course! We showed you how the other half live, didn’t we!”

I think I was supposed to thank him for his avuncular magnanimity, and for the valuable life lessons that he had bestowed upon me.

Oh, I had certainly learnt some lessons. But they weren’t the sort of lessons that anyone could teach, even if they had been minded to do so. And so I assumed an appropriately grateful expression, and smiled, and turned away as quickly as good manners would allow.

Stylus Singles Jukebox: Reductive Mimesis.

God, there must be a more interesting way of linking to this column every week than this. If it’s boring for you to read, then just think how boring it is for me to write. However, since part of Troubled Diva’s function is to serve as your One-Stop Portal for All Things Mike, link to it I must.

Things that are more interesting than the fact I’ve done another bunch of singles reviews by acts you’ve never heard of (*) :

1. Today is Madonna’s 48th birthday.

2. A new Primark store opened in Nottingham today, where the old Littlewoods used to be. Yesterday lunchtime when I walked past, there were throngs of people peering through the windows, ooh-ing and aah-ing at the super-low prices. That’s how exciting it gets round here.

3. K rang at lunchtime to tell me I’d been quoted in the Nottingham Evening Post a few days ago, moaning about the surly service in a local Indian restaurant. Which is a bit toe-curling, as said moan was blogged a few years ago, and I haven’t eaten there in even longer.

4. I’ve just only realised (although thinking about it, the connection is blindingly obvious) that a Nottingham pal from years ago is the force majeure behind that programme which goes out on Channel 4 on Friday nights, sandwiched between the two Big Brother shows. And he’s got a blog.

5. That new bicarbonate-of-soda jet-stream thingy which the dental hygienist used on me this morning: it might be a trifle messy, but DAMN does it shift the tobacco stains. Looking at me now, you’d never guess I was a guilty chuffer. Really, the thought of ruining that newly acquired gleam of confidence is enough to make me never want to smoke again.

6. If you wade through this week’s Stylus Singles Jukebox podcast, you will hear me use the term “reductive mimesis”, without any apparent irony. You know, one day the wind will change and I’ll get stuck in Pretentious Music Journalist Mode. Reductive bloody mimesis, I ask you! I want slapping for that.

7. I’m voting for Aisleyne. She’s real.

(*) Since you ask: Bela B featuring Charlotte Roche, David Guetta vs The Egg, Alesha, Da Buzz and The Spinto Band.

The “Can’t Be Arsed To Do A Madonna Live Review” Madonna Live Review.

1. I do like Wembley Arena’s new (to me) bar-queue-busting wheeze, whereby drinks sellers wander round the venue with big plastic barrels strapped to their back, stop-me-and-buy-one style. It’s certainly the only way that I would ever have bought Smirnoff Ice – but faced with a massive queue or an instant transaction, Smirnoff Ice suddenly seemed an attractive proposition. It’s clever marketing: that little moment of Positive Affirmation with the product. Next time I see a bottle of Smirnoff Ice, I’ll think: Ooh yes, that time that I beat the queue at the Madonna concert. Lovely stuff.

2. I thought the audience would be wall-to-wall The Gays, but not a bit of it. 10-15% percent, maybe. Mind you, it was Madonna’s ninth and final night at Wembley, and what self-respecting London boy is going to wait that long?

3. At a stadium gig, the people nearest to you can make or break the whole show – witness Joe.My.God and his Madge-nemesis, the Tall Queen – so thank the Lord for the well-behaved gaggle of Short Queens In Interesting Spectacles, who were directly in front of us. Good as gold, the lot of them.

4. This was the first stadium gig where I actually remembered to pack my binoculars (after several years of trying). These made all the difference at the start, but progressively less as the show went on. Because, unlike at Earls Court in 2001, the visibility at Wembley Arena was really not bad at all. Why, you could almost call it intimate.

5. Still it was nice to be able to lend them to my neighbour. (“Wow, I can see her wrinkles!”) Gave me a warm altruistic tingle, so it did.

6. I’ve already said this on the podcast, but this was a notably warmer, more inclusive performance than 2001’s tightly scripted, icily aloof exercise in Sod The Back Catalogue, This Is My Art. This time round, Madonna actually seemed aware that she was playing to an audience of real live human beings, and actually seemed vaguely bothered about making them feel good. Why, there was even the odd moment of genuine rapport. You know, just like you get at Robbie Williams, or Neil Diamond.

7. Madonna looks seriously great in riding gear. (Was that a proper dressage hat? My companion Dymbellina thought it might have been.) And it takes a brave 47-year-old (as she was then – happy 48th birthday, Missus!) to wear a leotard cut quite so high. (OK, so there was some sort of flesh-coloured body stocking underneath – but still, someone had been awfully busy with the old Ladyshave.)

8. But the outfit that suited her best? No question, it had to be the white Saturday Night Fever trouser suit, as displayed during the final disco-themed section of the show. This also featured the best choreography – loads of Travolta-esque pastiche, expertly done – and also the best re-workings of tracks which I’d never thought much of before: a transformed “Erotica”, and a bootleg mash-up of “Music” with John Otway’s “Bunsen Burner”. (Or was it something older? Before my time, probably.)

9. However, maximum cheese points go to the staging of a heavily re-worked “La Isla Bonita”, in a style which can only be described as Kids From Fame meets The Love Boat. This was a rare moment where the 2001 show did it better – another being the choreography of “Ray Of Light”. (This time round, it was all Kraftwerk-esque robotics, whose stylings evoked the video for Kylie’s “Can’t Get You Out Of My Head”. Interesting, but 2001’s staging was stunning.)

10. Still, there was only one serious misfire, namely Madonna’s attempt to “rock out” on the last album’s only dud, “I Love New York”. This misfired because, although she can appropriate the trappings of just about any other popular music genre, Madonna simply cannot stretch her range to accommodate Rock. This is the one genre where mere pastiche can never cut it – and since Madonna does not possess one Rock bone in her entire body, the exercise was doomed to failure. (Also, she really needs to put that guitar away. It made its point in 2001.)

11. Oh, but here’s me, focussing on the gripes! Don’t get me wrong: this was a fantastic show, and here are some more reasons why.

  • 11.1 The artist’s entrance, descending from the roof inside a giant mirror-ball which opened up like a lotus flower.
  • 11.2 The version of “Like A Virgin”, performed on top of a saddle, attached to a floating pole.
  • 11.3 The choreography during “Jump”, the nature of which should be fairly self-explanatory. (Although I did keep having to excise memories of a certain French & Saunders sketch.)
  • 11.4 The one bit of rock pastiche that did work: Madonna’s lurching performance of “Let It Will Be”, which kidded you that she was off her face, in Courtney Love self-destruct mode, while simultaneously demonstrating that she was fully in control (in amongst all the free-form slipping and staggering, there were some perfectly timed moves).
  • 11.5 The whole use of a smaller spur stage, as linked by a catwalk, as lined by a throng of beseeching, nearly hysterical super-fans – which had the effect of dragging Madonna closer to her audience, unable to hide behind her usual glacial artifice.
    • 11.5.1 (Not that this didn’t stop her from chastising the beseeching super-fans, firstly for smoking, and secondly for acting as if they were “at a hamburger stand”, all grab-grab-grab. “They must have got free tickets! Thank God for the rest of you!”)

12. Honestly, it was worth every penny. All those Swarovski crystals don’t pay for themselves, you know.

It wasn’t me.

notme2Now, I know that some of my blogging compatriots are getting a fair deal of media attention these days…

…and I am aware that the quickest short cut to such attention would be via a nice juicy quote-unquote “scandal”, preferably involving bodily fluids…

…and God knows I’m enough of an attention whore to do most things…

…but, well, there are limits.

So, lest you think otherwise: it wasn’t me. Sorry to disappoint you.

(PS. If anyone would like me to expand on this point this further, maybe by means of an article in a national newspaper – broadsheet preferred; suggested title: “REVEALED: MYSTERY BLOGGER AT HEART OF ROAD RAGE ID MIX-UP” – then please contact me at the usual address. If desired, I can also work in a mini-rant on the ramifications of the case for civil liberties (pro- or anti-identity cards, according to editorial prejudice – please specify). Or else you can just camp out in the PDMG and wait for me to sally forth for a bit of light pruning. Tea and biscuits provided. Mind the geraniums.)

I love it when journalists quote my boyfriend verbatim.

They cheekily describe their particular style as ‘rural minimalism’, preferring a clutter-free look. “We’re too particular to accumulate,” admits K, “we take forever placing just one ornament!”

Period Living magazine, September 2006.

“I like Gieves and Hawkes, Paul Smith, that British-with-a-twist look. Right now I’m in Tim Little shoes, a pair of beige trousers by Hackett and a light blue striped shirt by Gieves and Hawkes.”

Nottingham Evening Post: Is It The End Of The Tie?

Last night, about an hour into watching the delightfully funny and unpredictable (*) Paris When It Sizzles, starring Audrey “Goddess” Hepburn in a succession of exquisite Hubert de Givenchy tulip skirts:

K: Can you pause it for a moment? Now, shall we stick with the Chablis? I thought that the first bottle went so well with the film.

M: You know, it’s a good job there isn’t a journalist on hand to write this down.

Do you match your fine wines to your classic movies? A ballsy Bourgogne with your Truffaut? A nice drop of Gewürztraminer with your Fassbinder? Blue Nun with your Ken Russell? If so, then do share your recommendations with the group.

(*) And suprisingly filthy for its day, if subtly so. Watch what William Holden does with the cushion while talking about censorship, just after explaining the “slow dissolve”…

It’s not often that I open my daily newspaper and shriek with delight…

thegirlbook…but that’s what happened to me this morning, as I unwrapped my Guardian and saw Abby “Girl With A One Track Mind” Lee adorning the front cover of the G2 supplement. Inside, there’s another gorgeous full page colour photo, and an excellent article/interview from Zoe Williams, which makes all the right points, brings up the right issues, and represents Abby to the world in a way that I found instantly recognisable.

(It has also allowed me, at the privacy of my own breakfast table, to sneak the peek at her cleavage which I so rigorously denied myself when we met for cocktails in the spring – a self-denial which did not go unrecognised. (“You’ve been really good! You’ve not looked at my tits once!”) But I have parenthesised long enough, and risk indiscretion.)

As with Petite Anglaise before her, I am delighted to see Abby intelligently and courageously playing the hand that she has been dealt. And I can’t wait to get stuck into her book, on the train down to London on Sunday afternoon (I have an appointment at Wembley with Her Royal Madgeness, of which no doubt more later).

Update: Well well! It would seem that The Girl’s nemesis has decided to dip her toe into the world of blogging! (Someone, somewhere – and lest you think otherwise, NOT me – is Having A Larf.)

Stylus Singles Jukebox / Which Decade voting deadline.

(Yes, I know I’ve posted about almost nothing but music for the past few weeks. I’ll be getting back to more of the usual balance once the Which Decade stuff is done and dusted, OK?)

In this week’s Stylus Singles Jukebox, I say comparatively pleasant things about Laura Lynn (the “Schlager queen of Flanders”, no less), Kasabian (you can’t go wrong with a schaffel-glitter-stomp, I always say), Marisa Monte (classy Braziliana for grown-ups) and Shanadoo (yay for Japanese Eurobosh!), whilst blowing farly lukewarm over Sistem (Eurovision-related Romanian dance music can do so much BETTER).

I also make a couple of appearances on the accompanying Singles Jukebox Podcast, doing the “recitative” thing. (Next time round, I’m going to make a stab at the “ad-libbed off the cuff ramble” thing, as this seems to be emerging as the predominant mode of address.)


The voting deadline for this year’s Which Decade Is Tops For Pops project is midnight on Thursday (UK time). I’ll be announcing the results during the course of Friday Saturday (sorry).

As for the next Troubled Diva podcast, that’s more likely to appear on Monday (although judging by the TOTAL LACK OF RESPONSE to the first one, I MIGHT JUST NOT BOTHER, hah, that’ll show them, etc etc etc.)

How very un-rock-and-roll.

The game’s up! The struggle to hang on the last vestiges of street credibility is over! And I work so hard at it, as well. (See below, ad infinitum.)

But when faced with THIS, which will be gracing the racks of newsagents and supermarkets across the UK for the rest of the month, I might as well roll over and admit defeat.

periodliving

Yes, it’s our cottage kitchen. Three years after the famous photo-shoot (scroll down to the third paragraph), the readers of Period Living magazine have finally been deemed ready for the paradigm-shifting interior design concept which we have dubbed New Rustic Minimalism.

Here’s an extract from the full article.

Oh, and I bought my first pair of vari-focals last week. You can’t fight your destiny, can you?

Stylus Singles Jukebox: Being Jacques Lu Cont.

In a week which sees the release of fantastic new singles by Madonna, The Knife and the Pet Shop Boys – all reviewed in this week’s Stylus Singles Jukebox – the singles assigned to me for review came from these (cough) Major Artists: Nadiya, Ne-Yo, Beatriz Luengo, Ze Pequino, The Similou… and, er, George Michael. Well, you can’t win them all.

For the sake of completeness – and because I abhor waste – here are the two reviews of mine which didn’t make it to the finished article. (They have to commission more than they need, so it’s an occupational hazard.) Particular apologies to George Michael: one doesn’t like to kick a man when he’s down, but a dud single is still a dud single.

Update (1): Ah well, at least my spoken word recital of the Ze Pequeno review made this week’s accompanying podcast for the Stylus Jukebox, along with my recital of the Similou review. Goodness, what a smug smart-ass I sound.

Ze Pequeno – Ze Phenomene.

Reggaeton en Français, somewhat inevitably rendered in a Manu Chao-esque style, avec accordion (naturellement). Probably huge in back-packer beach bars; markedly less essential anywhere else.
[5]

George Michael – An Easier Affair.

Nope: this one isn’t going to arrest the long slow artistic/commercial decline, either. Over the same tired old suburban-wine-bar soul/funk backing that he has been peddling ever since “Fast Love”, George recycles the same tired old post-coming-out “revelations” that have peppered his interviews since being busted for cottaging eight years ago. Whereas 1998’s “Outside” handled much the same issues with wit, aplomb, and a boldness which was genuinely ground-breaking for its time, “An Easier Affair” has nothing to say that we haven’t heard before, and says it with the sort of narrow, self-absorbed literalism that even Madonna at her most solipsistic manages to swerve clear of. Hell, some of this half-digested self-help piffle (“Don’t let them tell you who you are is not enough!”) would make even Geri Halliwell cringe. In the words of the wise old gay saying: get over yourself, Mary.
[4]

Update (2): Tell you what: here’s my spoken word recital of the George Michael review, which didn’t make the Stylus podcast.

Look, I promise not to make a habit of this, but…

…I have just this second finished watching archive footage of the supreme musical hero of my adolescence, whom I have never seen on “television” before in all these years, and I simply have to share it with you.

Kevin Ayers and the Whole World, featuring Lol Coxhill and a very young Mike Oldfield, in 1972, performing “May I”, from the Shooting At The Moon album.

I can now die happy.

It’s like the Pop Idol auditions all over again…

Back from the pub last night, four pints the worse for wear, and in a sudden rush of blood to the head, I decided that it would be A Really Good Laugh to augment the “25 Lines” lyrics quiz (see below) with home-made acapella audio samples for each song.

God, I don’t half come up with some shit ideas for this weblog.

To experience the full horror, scroll down and click your way through the lyrics.

(Actually, #15 could have potential as a novelty ring tone, don’t you think? From Crazy Frog to Crazy Fa… yes, well.)

Stylus Singles Jukebox: Pulsating Surrealism.

The long, slow climb back into the musical saddle continues (and my, what a fetching image that conjures up). After many months of non-participation, I am back on the Stylus Singles Jukebox team – and enjoying the novelty of listening to new music so much, that I ended up being quite uncommonly charitable to everything I was given to review. Yes, even that dreary dirge by Paolo Nutini.

No doubt this wave of charitable feeling will quickly pass. In the meantime, go and read me saying nice things about Mr Nutini, McFly, Franz Ferdinand, Plan B and Sarah “her out of Black Box Recorder” Nixey.

This is my prediction for the Mercury Music Prize shortlist.

Update: I scored a reasonable 5.5 out of 12. The full shortlist is here.

Arctic Monkeys
An absolute cast-iron dead cert, and the obvious favourite to win. If this doesn’t make the shortlist, then I WILL POST A PICTURE OF MY COCK ON THE INTERNET, JUST SEE IF I WON’T.
CORRECT. (Phew.)

Corinne Bailey Rae
…is to the 2000s what M People were to the 1990s, and what Sade was to the 1980s. Feel free to interpret this statement as positively or as negatively as you wish.
INCORRECT.

Girls Aloud
Pop music that it’s OK for broadsheet intellectuals to like, thus neatly ticking the Token Pop Act box.
INCORRECT.

Guillemots
Clever, quirky and literate, whimsical but far from trivial, with lots of twiddly-widdly musicianly bits that will flatter the intelligence of the selection panel. God, I’m feeling cynical this morning…
CORRECT.

Hot Chip
I preferred the more laidback lo-fi sound of their debut album, but this ticks the box marked Fusion Of Disparate Influences, and we know how much the Mercury judges love their Disparate Influences…
CORRECT.

Jon Boden
Token folkie, ergo this year’s Seth Lakeman – but also bloody good in his own right, so I’ve got my fingers crossed. Also performs as part of the duo Boden & Spiers, who are more on a Trad Tip, Dad.
INCORRECT.

Kate Bush
The other cast-iron dead cert to qualify, but I shall refrain from making any more rash promises.
INCORRECT!!!

Muse
…who, with their fifth album, suddenly seem to have found universal critical favour, after years of being seen as really rather naff.
CORRECT.

Plan B
Hot young white rapper du jour, inviting inevitable comparisons with Mike Skinner and Eminem. The single is excellent: go clicky on the link above, but mind the strong language. Ticks the box marked Urban; could be this year’s Dizzee Rascal.
INCORRECT. (The Token Urban nomination went to Sway.)

Richard Hawley
Ticks the box marked Deserves Wider Exposure. That’s my box, not their box. Sublime stuff, even though I’m always getting asked to turn it off because it’s “depressing”.
CORRECT.

The Feeling
Skilful (if a tad shallow) evocation of 1970s AOR/MOR, laced with contemporary corporate-indie-lite “attitude”, hence will appeal to the “Guilty Pleasures” sensibilities of the predominantly middle-aged judges. (Pot… kettle…)
INCORRECT.

The Pipettes
Relentlessly jolly and catchy retro-modern indie-pop exuberance from Brighton, hence this year’s equivalent of The Go! Team. Oh, and they’re also very good indeed, which always helps.
INCORRECT.

Possible substitutes: Isobel Campbell & Mark Lanegan (CORRECT), Kooks, Lily Allen.

Ah, just see if I’m right… I’m never very good at this sort of thing.

Update: The other inclusions are: Editors, Zoe Rahman (token jazz), Lou Rhodes (she used to be in Lamb), Scritti Politti, Sway and Thom Yorke.

25 Lines: the meme-tastic “I’ve Got A New iPod” celebratory lyrics quiz.

Picking up on the “25 Lines” blog-meme which I last spotted at Gordon’s place, here are the opening lines to the first 25 songs (*) which came up on Shuffle Mode, on my lovely new iPod. As you’d expect, some are dead obvious, some are super-obscure, but all have at least some sort of vague merit.

But what songs were they? Let’s all find out together, shall we? Please leave your answers in the comments box, and I’ll post the full results in a few days.

Rules:

a) One answer per person only, please.

b) No cheating! I’m placing you all on trust here. Remember: if you resort to search engines, then you’ll be letting me down, yourself down, and all the other readers of this weblog down.

Update: For added entertainment value, click on each lyric to hear it sung, by me, badly, late at night, pissed up on four pints, with my headphones on.

1. Through the windless wells of wonder, by the throbbing light machine, in a tea leaf trance or under orders from the king and queen…
Correctly answered by Nigel.2. Hummingbirds hum, why do they hum, little girls wearing pigtails in the morning, in the morning…
Correctly answered by betty.3. The Jekyll-Hyde of you, I can’t survive the tide of you, the vicious style of love, the whining, pits and pendulums of lying…

4. Boring boring boring these days, records all sound the same, uninspiring guitar pop made for quick financial gain…
Correctly answered by Jonathan.

5. She would never say where she came from, yesterday don’t matter if it’s gone…
Correctly answered by Jack.

6. I came into the city from the deep south when the mill shut down, I married a man who treated me like he bought me by the pound…

7. Lord, these words I beg of you as I kneel down at my bed, because soon I will be dead, let’s face it, soon I will be dead…
Correctly answered by Pam.

8. Salve regina mater misericordiae, vita dulcedo et spes nostra, salve salve regina…
Correctly answered by Gert.

9. All the creatures on the beaches, making waves in the motion picture, won’t you keep this in between us, search and seizure, wake up Venus…

10. I was lost for so long, feels like it’s taken half my life to find where I belong, seeing you here, you’re my nation, this is my application…
Correctly answered by the newly returned Alan Oddverse.

11. It was 7:45, we were all in line to greet the teacher Miss Cathleen, first was Kevin, then came Lucy, third in line was me…
Correctly answered by Em³.

12. I had a dream last night, a nightmare to be exact, we couldn’t take the heat and the sweat dripped from our backs…

13. Worked all day for all this year to get two weeks vacation, work and I did not look back till it was time to go, I shut the door (BANG!) without a word, and walked out into the street…

14. While I was down in-er Tennessee, all my friends was-er glad to see me, seen some down by the railroad track, seen some cotton-pickers with their sacks on their backs…

15. Jitterbug, jitterbug, jitterbug, jitterbug…
Correctly answered by Anna.

16. Baby only the strong would survive over mysteries of life, only fantasy keeps you away, in the lonely fields of those broken shields…

17. I know so many places in the world, I follow the sun in my silver plane…
Correctly answered by Gordon.

18. So my baby’s on the road, doing business, selling loads, charming everyone there with the sweetest smile…
Correctly answered by diamond geezer.

19. I think I’m gonna need some therapy, oh babe I hope you got a PhD…
Correctly answered by the newly returned PB Curtis.

20. I told you about Strawberry Fields, you know, the place where nothing is real…
Correctly answered by Rullsenberg.

21. You’ll recognise me as I glide across the floor of the presidential suite in the Savoy Hotel, pleased to meet me…
Correctly answered by Diego.

22. Dressed like that you must be living in a different world, and your mother doesn’t know why you can’t look like all the other girls…
Correctly answered by Music Man.

23. Oh where I come from I just don’t conform, get me out of here, leave the boredom behind, wanna see those bright lights, get this thing in gear…
Correctly answered by Abigail (via e-mail).

24. Honestly, if I tell, tell you what, what you want to know love, there ain’t another, I don’t want no other lover, I put nothing above ya, I kick them to the gutter…
Correctly answered by Chig.

25. The evening was long, my guesses were true, you saw me see you, that something you said, the timing was right, the pleasure was mine…
Correctly answered by a different Jonathan.

Hints:

a) 7 songs (#5, #8, #15, #18, #19, #23, #24) have been UK Top 40 hit singles.

b) 4 songs (#4, #6, #13, #21) are so obscure that the lyrics cannot be found ANYWHERE ON THE KNOWN INTERNET, HA HA THAT’S GOT YOU.

c) The oldest song is #14, and the newest song is #10.

d) My favourite songs are #11, #18 and #22.

e) My least favourite songs are #9, #13 and #16.

f) One act appears twice.

g) One of the featured artists has posted a comment on this weblog.

h) One song (#21) appeared on one of last year’s podcasts.

i) There is at least one song from every decade from the 1950s onwards, EXCEPT for the 1990s.

j) Shamefully, I would only have guessed 8 songs correctly myself. Which suggests that maybe I ought to be spending a little more time getting to know my own music collection…

(*) Well, not exactly the first 25 songs, as the following categories were excluded: instrumentals (duh), song titles revealed in opening lines (double duh), foreign languages, unintelligble lyrics (so that’s all the thrash metal up the spout, then). Continue reading “25 Lines: the meme-tastic “I’ve Got A New iPod” celebratory lyrics quiz.”

17:00

Mood: Jaded. Ready to go home, but I should really stay here another hour or so.

Physical state: The body is wearying, despite the post-5pm mental upswing that almost invariably occurs at this time of day. (For some reason, I do a lot of my best work between 5pm and 6pm.)

Other observations: It feels weird to be blogging about trivia at a time when K and his family are still grieving – in fact, I’d say that they are all probably hitting the worst of it right now – but I’ve sort of decided that I want to keep blogging about trivia, and I don’t want to blog about private sorrows. So if you’ll excuse the elephant in the room, then we can proceed.

16:00

Mood: Considerably less enamoured of fiddly repetitive tasks than I was an hour ago. They got even fiddlier, and so stopped being pleasantly mindless bung-some-music-on-and-let-your-fingers-fly chewing gum for the brain. In fact, I had to turn the music off altogether.

Physical state: Well, the tea was nice. (Christ, he spends FIVE MONTHS doing INTERESTING THINGS in London, and tells us NEXT TO NOTHING about them because he CAN’T BE ARSED, and then expects us to be interested in CUPS OF CHUFFING TEA, honestly, this blog stretches patience to the LIMITS.) But I reckon I’m about two hours away from crashing and burning. And, er, about three hours away from entertaining a house-guest whom we haven’t seen for several months. Oh dear.

Other observations: Doing multiple copy/pastes without the aid of ALT-TAB is a right old pain. It’s a Remote Terminal Access via Java thing, the details of which I shan’t presume to trouble you with. Hark at me and my tech talk!

15:00

Mood: Pleased with myself, as I’ve just had my most productive hour of the day work-wise: fiddly repetitive tasks, which needed sustained concentration.

Physical state: Ready for a cup of tea. Last night’s hangover has yet to strike in earnest, but that normally comes later in the day.

(Alan, K and one of K’s work associates, sitting outside The Social on Pelham Street, yakking into the small hours. It’s not often that K partakes in midweek social activities, so we were in no hurry to cut the evening short.)

Other observations: In order to maintain concentration upon aforesaid fiddly repetitive task, have just been using shiny new 60gb black iPod for the second time ever, the first time being on the walk to work. Did I mention that I have spent the last couple of months more or less living without music? The combination of broken laptop, broken iPod, broken Discman, living in a hotel during the week, and only being able to play gentle, soothing, K-friendly world/jazz/folk at weekends (and frankly, there is only so much tasteful Ali Farka Toure strumming that a man can reasonably take) meant that I could go for days on end without listening to anything remotely challenging. Hell, I left London still thinking that Infernal’s “From Paris To Berlin” was a hip new dance track, just beginning to break through in the clubs… and as for your Raconteurs, your Kooks, your Dirty Pretty Things, your Lostprophets and your Automatics, I can’t even begin to form an educated position (although I can certainly form an educated guess, sneer sneer).

(And the really weird thing? After a while, I more or less stopped missing music altogether. Who knew?)

14:00

Mood: Awkward. That 13:00 update was posted somewhat after the event, and it seems far too soon to be resuming the exercise.

Physical state: More comfortable than I have been all day, as the al fresco lunchtime over-heating effect meets the aircon-chillbox effect halfway. No post-prandial mental dips here!

Other observations: I left a comment at little.red.boat, on the etiquette of saying “I love you”. Which reminds me of the answer which I intend to give when Guardian Weekend finally gets round to featuring me in their Questionnaire section. (It’s OK, I’m in no hurry.)

Q: Have you ever said “I love you” without meaning it?
A: No, but I have sung it many times without meaning it.