When good cliques go bad.

Amongst the numerous contradictions that have helped shape me into the fascinatingly complex individual that I am today, (and God, this ironic self-aggrandisement is going to have to stop some time soon, lest the wind should change direction and leave me stuck that way) my attitude to social cliques is a prime example. Rationally speaking, I retain a strong dislike for cliques: the insularity, the exclusivity, the unhealthily inward focus. Nevertheless, I am also the sort of person who has always been naturally drawn towards them, and into them. For there are aspects of cliquedom which attract as well as repel: the security, the dependability, the easy, instant support network – and, if I am honest, their essentially self-referential nature. I like the “insider knowledge” that membership of a clique confers – and I love the knowing, sharp banter which flows from that. Mine is a sense of humour which thrives on the delicious naughtiness of the in-joke; I delight in operating just within the boundaries of what constitutes good-natured teasing, safe in the knowledge that offence will not be caused.

Thus it is that over the years, I have found myself right at the heart of many a social clique. In my first year at University, our clique of maybe a dozen or so in residence hall was so flagrantly close-knit that we referred to ourselves quite openly as “The Clique”, and were happy to be known as such by everyone else. I’ve been in school cliques, office cliques, gay cliques (of various hues), neighbourhood cliques, clubbing cliques, pub cliques, house-share cliques… the lot. And for a while, they’re usually great places to be.

Until – inevitably – they start to disintegrate. A key member of the clique moves away – or changes job – or meets a new partner with a different set of friends, who doesn’t quite “fit in”. Or maybe they just bore of the repetition, and so start to move in wider circles. The pub changes hands; the club shuts down; the department is re-organised. Or, worse still, a feud breaks out between two or more of the clique members. Sides are drawn. Allies are recruited. This person and that person can no longer stand to be in the same room together. Suddenly, the illusion of permanence – that we will always be together, friends forever – is cracked, revealing the underlying, uncomfortable truth: that these arrangements are always temporary.

The ground is pulled from under your feet. You had come to rely on these people. Their constant presence had saved you from having to make conscious decisions about who you saw, where you went, and what you talked about. You feel uneasy, insecure – and, if you’re not careful – resentful, wounded, jealous, spiteful. The open banter freezes into covert bitchiness. The aggrieved muttering and finger-pointing begins. It’s all his fault, or her fault, or their fault. We thought you cared. You’ve spoilt everything. You were a false friend; you strung us along, and we never realised.

In these situations, closeness can turn to distance in an instant. Too late, you discover that with some people, it’s all or nothing. From gossipy huddles three times a week down the pub, to strained smiles and awkward small talk three times a year; in the street, in the supermarket, at someone else’s summer barbecue. It hurts. You can’t quite understand how everything changed so rapidly. You replay events and conversations over and over again in your mind, trying to find an answer, wondering what you did wrong.

Shows like Friends perpetuate a myth; the myth of the permanently inseparable gang. Yes, individual friendships can and do last – for years, for decades – but without need of the supporting structure of a clique to keep them alive.

These days, I retain a careful wariness of cliques. I will happily hover at the edges – picking up some of the banter, joining in some of the activities – but I will stop well short of total immersion. And yes, that applies online as much as offline. What’s more; I have discovered that I actively like the independence that this brings. More choices, more variety, more control. More interest. More scope.

“Darling! You’re looking as fabulous as ever tonight! Mwah! Mwah! Big hug! Now tell me all the latest gossip!” Enjoy it for what it is. But don’t be seduced by the illusion, however glittering and flattering it may be.

Swanky do.

I didn’t really want to go to the swanky hotel’s first birthday party – it was too soon after the excesses of the weekend – but K said come on, it will be a laugh, people we know are going, it’s free booze and gourmet nibbles, and it’s a good excuse to put on our smart new trendy gear and pose around a bit. Sometimes, he knows exactly how to speak my language.

“It’s cocktails and beer in the restaurant, or champagne and wine in the lobby.”

What a peculiar way to organise your drinks. We turn right and battle through to the lobby, winding through sprawling clumps of braying flash trash who think this do is the fucking business, mate. There’s a big queue for fizz – except that it’s more of a scrum, as most of the flash trash evidently consider themselves above waiting in line. No-one doing the rounds with trays, except for one lone waitress with just two glasses left; she promises to return with more, and is never seen again.

Awkward, over-calculated postures; fake smiles betrayed by eyes which are constantly scanning the brightly-lit space; everyone is performing, everyone is “on”. (And I choose my prepositions carefully, hur hur.) Playing the game is the only option. Our journalist friend (already battling to suppress his dirty looks when no-one is watching) introduces us to someone of his acquaintance who has wandered into our orbit.

“This is K, this is Mike, this is S.”

She smiles and greets K, swivels her head straight past me in one smooth, flawless motion, then smiles and greets S. In a split second, she has correctly calculated that I am an outsider at this game, and thus am no-one worth knowing.

As we have observed on many occasions, our journalist friend is blessed with uncommonly acute social antennae. He waits a minute or so, and then has another bash at bringing me into the game.

“This is Mike. This man is one of the country’s top bloggers. He’s just been featured in The Observer.”

(In brackets. In the middle of a list. At the back end of Page Two. But now is not a time to quibble.)

In a split second, she has snapped straight back round to face me, arm already outstreched, face wreathed in smiles. “Hi! Very pleased to meet you!”

As I, in turn, make my own calculations and act on them accordingly. Two can play this game, missy.

An enthusiastic, natural networker, our journalist friend has recently taken to talking me up everywhere as “one of the country’s top bloggers”. As I blushingly make to duck and wince – bobbing my face, Lady Di style, beneath an imagined (and long vanished) floppy fringe – I discover with some surprise that the old reactions of bafflement, condescension or total disinterest have all but vanished. People actually look impressed. Post-BdJ, her book deal, and all the attendant guessing games in the national press, everyone in these circles now knows exactly what a blogger is. Or thinks they do, at any rate. We’re the phemomenon du jour, don’t you know. We’re really frightfully au courant. No longer viewed as sad little loudmouths, bleating away to nobody in particular, we’re getting respect. What a richly ironic proposition – that the lascivious diaries of a call girl could finally be conferring respectability upon us all.

Back at the swanky do, I am slowly drowning. Our friend from the boutique hotel is regaling us with mischievous gossip about the boy band who checked in this afternoon. (“Our masseuse says that X has such stinky feet!”) For me, this should be conversational home ground – an easy lob. Nevertheless, it is becoming more and more of an effort of will to focus on what is being said. An overpowering sense of disconnection is taking me over. The people standing around me no longer seem quite real; it is as if I am observing them through a bubble. Even their voices are sounding muffled; words reverberating inside my head, but their meaning failing to reach my brain. I keep zoning out, staring into the middle distance, longing to be anywhere but here – and then frantically snapping back into the room, trying to arrange my facial features into some semblance of the requisite brightness, failing badly, and then zoning out again. Insulating myself with ever-thickening layers of guilt.

As the cycle repeats, panic starts to rise inside me, causing my heart to race and my temples to pound. I even feel slightly sick. I have to get out of this room. NOW. Handing my glass to K, I mumble an excuse and flee for the sanctuary of a toilet cubicle, where I sit for several minutes, trying to calm myself, waiting for the pounding and the throbbing to stop.

If I stay in here any longer, people will wonder where I am. A fresh wave of anxiety hits, pushing me back out into the lobby. I try and flash a look at K, but we are in uncharted waters here, and there is no meaningful signal which I can send. Besides which, he is playing the game to perfection, networking all around with his customary apparent ease, attracting people towards him with that understated charisma which he doesn’t quite know that he has. I have no wish to put him off his stroke. A new anxiety hits me: that I might be letting him down in public. The pounding and the throbbing return, even as a couple of goons in matching white sportswear suddenly materialise next to me, tumbling around on the lobby floor in an ill-conceived display – half judo, half breakdancing – which is presumably meant to be the evening’s “turn”. It is a staggering misjudgment. No-one quite knows how to react. Even the flash trash are looking uncomfortable.

And I can take no more. Another quick mumble to K, and I am out of the door before he even has the chance to react. Ten minutes later, I am back at home, sitting semi-catatonic in the dark in my Marc Jacobs pea coat and my too-tight Prada shoes, breathing in and breathing out, and finally understanding why K sometimes has to leave noisy gay clubs in a hurry.

Overheard on the train.

Smart, fashionable young woman, discussing The Passion Of The Christ with her friends:

“Oh, it was so sad! Especially that bit where his mother saw him… yeah, that bit… as a woman, I really related to that. But, basically, I just cried and cried all the way through it! I mean – really, really sobbed, like a child or something! In fact, I don’t think I stopped crying until right at the end, when he was… you know… re-born or whatever.”

(Brightly) “Still, nice of them to leave it open for a sequel…”

Songs you HAVE to hear – update.

If I were to download and burn a mix CD from your suggestions so far (which, of course, I would NEVER do, because that would be SO WRONG), then the current track listing would look something like this.

CD ONE.
1. I Close My Eyes And Count To Ten – Dusty Springfield (Angus)
2. At Last – Etta James (asta)
3. He’s So Fine – The Chiffons (PB Curtis)
4. Try A Little Tenderness – Otis Redding (Vaughan)
5. Let’s Get It On – Marvin Gaye (Simon)
6. All Day Long I Think About Sex – JC Chasez (zbornak)
7. Tainted Love – Soft Cell (Mark)
8. Rent – Pet Shop Boys (lyle)
9. Rock Me Gently (A Combination of Special Events) – Erasure (A Reader)
10. Burnt Out Car – Saint Etienne (brittle-lemon)
11. Heartbeats – The Knife (starlet)
12. Planet DaDa – Yello (Gina)
13. She Sells Sanctuary – The Cult (Wild)
14. Hanging Around – The Stranglers (Mish)
15. Hammer To Fall – Queen (zed)
16. Dead Homiez – Ice Cube (noodle)
17. River Deep Mountain High – Ike & Tina Turner (quarsan)
18. Ooh Aah Just a Little Bit – Gina G (Looby)
19. Wuthering Heights – Jah Wurzel/Hybrid Kids (Debster)
CD TWO.
1. Sun Comes up, it’s Tuesday Morning – Cowboy Junkies (larkin)
2. Family Tree – Belle & Sebastian (gwplf)
3. Talk Show Host – Radiohead (Green Fairy)
4. Grace – Jeff Buckley (Ruggybabs)
5. Running Up That Hill – Kate Bush (Caroline)
6. Severence – Dead Can Dance (Josh)
7. Postcards of Scarborough – Michael Chapman (Mr.D.)
8. Diamonds on the Windshield – Tom Waits (Emrys)
9. My Country – Randy Newman (Nixon)
10. Took The Children Away – Archie Roach (Amanda)
11. The World Is Full Of Fools – Kevin Coyne (dymbel)
12. Shipbuilding – Robert Wyatt (thom)
13. And The Band Played Waltzing Matilda – June Tabor (Nigel)
14. With God On Our Side – Neville Brothers (Blue Witch)
15. The End – The Doors (Stereoboard)
16. Breathing – Kate Bush (Alan)
17. Madame Joy – Van Morrison (jo)
18. Midnight Train to Georgia – Gladys Knight and the Pips (BykerSink)
19. The Only Way Is Up – Otis Clay (mike)

Any more suggestions? Remember: rather than necessarily being your favourite song of all time (that most nebulous of concepts), this should instead be a song which you think everybody should hear.

Update: The ENTIRELY FICTITIOUS BECAUSE DOWNLOADING IS SO VERY VERY WRONG double CD is now complete, but don’t let that stop you making further suggestions for the “special edition” boxed set.

F**k me, I’m A-list.

Thanks to Dymbel for alerting me to an article about blogging by Simon Garfield in today’s Observer. Garfield seems to be labouring under the happy delusion that I am one of the “big names” of UK blogging – a delusion with which I am more than happy to concur.

Bouquets to “moi” over at the estimable Bacon, Cheese and Oatcakes, who gets a particularly lengthy write-up.

Ego suitably stroked, I shall now return to the pleasurable languors of my well-earnt hangover.

Songs you HAVE to hear.

In the current edition of Word magazine, 110 musicians and writers are asked to name one song which, in their opinion, should be heard by absolutely everyone. Ranging from the popular (Aretha Franklin, Bob Dylan, Take That) to the obscure (Pink Grease, Walter Pardon, Alberta Hunter), the results make fascinating reading. (Particularly if you have a couple of hours to spare and a broadband connection to hand.)

This morning, I was wondering which song I would have selected. This afternoon, I discovered it was available on the web as a free, legitimate download.

So, here you are. The one song which I think should be listened to by absolutely everyone: The Only Way Is Up, by Otis Clay. If this doesn’t set you up for the weekend, then nothing will.

This is particularly dedicated to anyone who’s going through a bit of a tough patch at present. (Gazes meaningfully in the direction of Belgium.). They don’t call me an irrepressibly chirpy little f***ing Pollyanna for nothing, you know.

So. Which one song do you think should be listened to by absolutely everyone? Please share your recommendations with the group. If I get enough, then I’ll compile a little list.

As for the final results of this year’s Which Decade Is Tops For Pops? project: they will hopefully appear this evening, but will definitely appear by tomorrow. they’ll be here tomorrow. Apologies for the delay.

Kinja Beta.

When you read as many blogs as I do, then you need an efficient way to find out whether or not they’ve been updated. (All that speculative clicking can be such a faff, don’t you find?)

In this respect, my favourite tool is the Recently Updated UK Weblogs list. The only problem is that to be included on it, each site owner has to register. Even though this only takes about 10 seconds, a lot of sites don’t bother, making the directory a frustratingly partial one.

Then there’s the UKBlogs Aggregator. It’s great – but you have to wade through acres of stuff from sites that you don’t read.

Then there’s Bloglines. It’s also great – but it will only pick up posts from sites with RSS feeds.

What I’ve been waiting for is a weblog digest that is:
a) international.
b) based around my own personal selection of sites.
c) not dependant on RSS feeds.
d) arranged in a reverse-chronological weblog format, with excerpts from each post.
e) a piece of piss to set up and maintain.
f) freely available for use by others.

Launched in Beta just yesterday, Kinja promises to be all of those things, and has got me quite excited.

Except that it doesn’t quite work yet. I’ve added my entire blogroll, plus a few more sites besides, and have been checking the updates on my customised Kinja digest against the the Updated UK Weblogs list. Sadly, Kinja is either lagging way behind, or else it doesn’t pick up on the new postings at all.

But, hey – it’s still Beta. I hope Kinja sorts its problems out soon; if it does, then it will swiftly become my new favourite place on the web.

To see how it works, take a look at my personalised Kinja digest.

Software trial.

td040401

I’ve been asked to test a rather nifty looking handwriting recognition package. This scans handwritten text; converts it into ASCII characters; formats the ASCII into HTML (applying stylesheets as necessary); and – this is the really clever bit – displays the resulting code using the original scanned handwriting.

So far, I’m quite impressed with the usability. Let me know what you think – and in particular, let me know if you spot any broken links. Ta.

I trust you enjoyed yesterday’s little seasonal diversion. I was actually torn between two ideas – the one you saw, or Rent Boy de Jour: the diary of a high class London masseur-slash-escort-slash model, and his dealings with a couple of piss-elegant middle-aged queens from Nottingham who offered him a position as their live-in house-boy-slash-cottage-gardener. But then I thought: nah, somebody’s bound to do a BdJ spoof.

You can therefore picture my shrieks of amazed delight when, just after posting at midnight last night, I decided to follow a hunch and check Diamond Geezer, that well-known stickler for punctuality. Geezer de Jour indeed! And so brilliantly conceived and executed, as well. Had I gone with the Rent Boy idea, the ensuing embarrassment would have been akin to two Oscar-nominated actresses turning up for the awards ceremony in the same frock. Or maybe I flatter myself with the conceit.

In order to execute yesterday’s daring stunt, I was obliged to make a special journey to WH Smith to buy some felt pens – only to discover that they are no longer stocked. For all I know, they might have been extinct for the past 20 years. I suddenly felt very old and very out of touch.

Instead, I had to buy a set of hideous “gel pens”, in vile non-matching colours, with horrible, scratchy, inconsistent nibs, which coat everything you write in some sort of “glitter” effect. Never have I felt more like an eight-year old girl. I’ll probably be getting excited about the Top 40 next. (Oh…)

My thanks to Emrys of Crticise.Me.uk, who helpfully passed my scribblings on to someone called The Handwriting Lady. Her graphological analysis makes for alarming reading. Here are some choice excerpts:

  • You have trouble making decisions, and have unpredictable mood swings.
  • You could be described like a thermometer… today warm and friendly… tomorrow distant and cold, not wanting to be close to anyone.
  • You are very blunt, candid and brutally honest. You are also very straightforward when asked your opinion. You find secrets and deceit just unnecessary. But, most people are not as revealing as you tend to be.
  • You often think of what you should have said during an argument and bring it up 30 minutes later.
  • You still have an aversion to taking too much of a risk and you’ll hedge on the side of security.
  • You HAVE a strong healthy sex drive… you just aren’t getting enough.

Colour me spooked!

Trentbeat: The Nottingham Sound! Part One: 1974 to 1993.

The Troubled Diva Can’t Be Arsed To Do Any Proper Research And Anyway It’s Just A Blog So Why Bother? Unauthorised, Unreliable, Slapped-Together-In-Five-Minutes Guide To The Fabulous Sound Of Trentbeat, In Which We Salute Nottingham’s Major Contribution To The International Music Scene Through The Years.

tb01place

Paper Lace. Godfathers of the Nottingham Sound. With Billy Don’t Be A Hero, the raging anti-war polemic which took the whole country by storm in March 1974, The Lace placed the city of Nottingham firmly on the musical map, whilst simultaneously kick-starting the musical revolution that came to be known (admittedly not until thirty years on, but hey, who’s counting?) as Trentbeat.

tb02alvin

Alvin Stardust. From Mansfield. Which, admittedly, isn’t Nottingham. But it’s almost Nottingham, right?

Besides which, Trentbeat is a little short on founding fathers – so Alvin will have to do.

I bought his album, you know.

Medium Medium. Early 80s indie/funk crossover act, who recorded for the Cherry Red label. Their best known track, Hungry, So Angry, made Billboard magazine’s Alternative Top 50. Eventually morphed into…

C Cat Trance. …who took things in a funkier direction, with “Islamic” influences.

tb03fatalFatal Charm. “Futurist” synth-pop act who got on Channel 4’s The Tube a couple of times. Midge Ure produced their debut single.

Split up in 1989 and re-formed as State Of Grace (see below).

Sense. Another synth-pop act, whose first three UK singles were produced by Dave Ball from Soft Cell. Supported Depeche Mode and Kim Wilde on tours of Europe, and had a Top 40 hit in France with Jamie. An ill-fated excursion into Hi-NRG (the Ian Levine produced You Cry) spelt curtains for the band.

See also: Pinky & Perky (below); Bob The Builder (Part 2).

tb04supollSu Pollard. No, it’s not Kathy Burke in Gimme Gimme Gimme – it’s Su “can I do yer chalet?” Pollard, the reigning “First Lady of Trentbeat”.

The saucy siren from Stapleford reached Number Two in 1986 with Starting Together, which was taken from some naff TV documentary about a pair of young marrieds. This was particularly memorable for its video, in which Our Su, looking fetching in a furry white winter cap with matching pom-poms, indulged in a playful snowball fight in the woods with said young marrieds.

Su’s entire debut album has since been “deconstructed” by a bunch of “radical sonic terrorists”, whose alarming re-workings of her oeuvre can be found here. (Click on Deconstructions.) I particularly recommend the V/Vm remix of the aforementioned Starting Together, which treats the song with the respect it deserves.

Clint Bestwood & the Mescal Marauders. Popular local live act from the late 1980s, who released at least one single (Sourmash).

People in the know called them “The Bestwoods”. Not being in the know, I didn’t quite like to; it smacked of a certain over-familiarity. The one time I did catch them live – at a warehouse party near the railway station – I was too busy necking Pils and posing in my ripped 501s to pay much attention. However, Demian describes them as a “boozy bounce along band”, which sounds about right.

Asphalt Ribbons. Late-80s-early 90s indie band of some reknown. Split up and re-formed as Tindersticks (see Part 2).

tb05tulipsFat Tulips. Part of the so-called “twee” indie movement, the Fat Tulips have been described as “making Talulah Gosh look like an Oi band.”

Recorded a single called Where’s Clare Grogan Now?, which probably tells you all you need to know.

State Of Grace. Formed from the ashes of Fatal Charm (see above), State Of Grace swiftly became Trentbeat’s premier shoegazing act, with singles such as Camden and Hello (not the Lionel Richie song). Actually – and I speak as someone who was never that big on the whole shoegazing thing – they were bloody great, with plenty of droney, trippy “freakout” sections, and pleasingly copious usage of effects pedals.

Unfortunately, having been knocking around for a fair old while by then, the band weren’t judged sufficiently hip to be ranked alongside the Slowdives and Chapterhouses of this world, the NME once sneeringly referring to them as “looking like a bunch of supply teachers”. A freak US dance hit, with a wildly unrepresentative remix, proved to be the final nail in their coffin.

tb06stereoStereo MC’s. Splitters! Although two-thirds of the band originally hailed from Ruddington, Trentbeat traitors the Stereo MCs cleared off to London before enjoying any commercial success.

However, this act of monumental civic betrayal came with a hefty price tag: after four hit singles in just six months, the band had to wait a full eight years for a fifth.

Let the fate of the Stereo MCs serve as an Awful Warning. You desert this city at your peril.

KWS. Recorded in a bid to persuade star footballer Des Walker to stay with Nottingham Forest, the KWS cover of KC & The Sunshine Band’s Please Don’t Go became the second Trentbeat Number One in April 1992. This earnt the band an entirely justifiable nomination as Best New Act at the 1993 Brit Awards, alongside such musical heavweights as Undercover (Never Let Her Slip Away; Baker Street) and eventual winner Tasmin “voice of an era” Archer.

KWS made regular appearances at Nottingham’s top nitespot The Black Orchid, if memory serves. As The Cavern was to Merseybeat, so The Black Orchid was to Trentbeat: crucible of a revolution. (I could turn this into a book, you know. Any offers?)

tb07pinkperkPinky & Perky. The lovable singing piglets enjoyed something of a comeback in 1993: regular guest slots on a kids’ TV show called The Pig Attraction, a by-the-skin-of-its-teeth Top 50 single, (Reet Petite / It Only Takes A Minute Girl) and a whole album (yes, they really did cover Technotronic’s Pump Up The Jam).

What you might not have known is that the piglets “laid down” their “vocal tracks” at my mate’s home recording studio in Sherwood. Indeed, if you slow down their voices… no, perhaps I’ve said enough. He doesn’t talk about it much.

“Oh, how vile!”

pracatan

Margarita Pracatan – Hello (wand’s mini-drama mix)
(right-click to download)

Spring/Summer 1996. About once a month, we would pile out of Trade on a Sunday lunchtime, then head down to the Royal Vauxhall Tavern to catch Adrella’s weekly drag show. Well before the Dame Edna Experience made the RVT what it is today, Adrella was packing the place out with her own loyal troupe, complete with their own set call-and-response phrases. (“Good afternoon Adrella, and how are you today?” “Oh, how vile!”)

Adrella’s top turns at the time included a coke-addled Liza, stumbling her way through Losing My Mind, a bouncy Gina G, flicking her tresses to Ooh Aah…Just A Little Bit, and best of all, her take on the emergent starlet of the moment, the one and only Margarita Pracatan. Replacing Margarita’s keyboard with an ironing board, if you please, you had to peel the queens from the ceiling by the time Adrella had worked her way through There’s-a Nooo! Business Like-a Shooow! Business.

Imagine our delight, therefore, when this extraordinary handbag house cover version of Lionel Richie’s Hello appeared on promo. And imagine our disappointment when at the last moment, with a tiny handful of copies of the CD single already pressed, Margarita’s record company pulled the single from the release schedules, never to see the light of day. Tipped off by my DJ mate from Central Station in King’s Cross, I quickly grabbed a copy from probably the only shop in the UK which had copies for sale (Trax Records on Greek Street).

Rare as rocking-horse poop, this is. You lucky, lucky people. Prepare to be amazed and astounded by the genius that is… Margarita “Hello! I Love You!” Pracatan.

Hey – after making you suffer through Lionel Richie’s original version (see below), it was the least I could do.

Basement Jaxx, Nottingham Rock City, Monday March 15th. An index of enjoyment levels.

basejaxx

A. Woo! My old pal Richard is coming over from Louth and we’re going to see Basement Jaxx tonight.

B. Boo! Richard thought the gig was next week, his car is being mended, and he’s stuck in Louth.

C. Boo! Rock City is packed and I’m all on my own.

D. Someone is squeezing my shoulder. I look round. Woo! It’s my dear friends Heather, Colin and Nina, standing just a few feet away. But I thought that they didn’t go to gigs any more, now that they’re all parents? Apologies all round for not getting in touch beforehand.

E. Nina tells me that the support act are none other than the Audio Bullys. Woo! I like the Audio Bullys. Aren’t they a bit too successful to be a support act, though?

F. About two minutes later, an announcement is made. “Owing to unforseen circumstances, the Audio Bullys will not be performing tonight.” Boo! Roadies come on and start removing record decks from the middle of the stage. Oh well – I only spent two minutes thinking I was going to see them, after all. I can re-adjust.

G. About five minutes later, another announcment. “The Audio Bullys will now be performing, ten minutes after Basement Jaxx finish their set, downstairs in the basement bar.” Woo!

H. Woo! Basement Jaxx are on stage, with two funky & fabulous soul divas belting out the formidable “Good Luck” (one of their absolute best tracks). Behind the band are some of the most impressive back projections I have ever seen: a dazzling quick-fire succession of razor-sharp DVD images, spread over three screens, all perfectly synched to the music. This is going to be great!

I. Boo! The joint is heaving, and there’s no room to dance. Wedged next to Colin on the bottom step to the right of the mixing desk, at least I have a perfect view. Can’t expect everything, I guess.

J. Red alert! Red alert! It’s a catastrophe… Woo! My favourite! And so soon in the set! I jiggle up and down as best I can, as the seething crowd below me goes apeshit. There’s more unrestrained energy & enthusiasm here than at a regular rock gig. Sometimes it gets overwhelming; for now, it’s exhilarating. And the music keeps on playin’ on and on…

K. The Jaxx are pumping out hit after hit – who knew they had so many? – with a constantly shifting crew of five singers (four female, one male) who keep disappearing and re-appearing in new costumes. While the singers all leave, the remaining band deliver a brilliant new track which mashes up the bassline from Seven Nation Army with the acapella from 50 Cent’s In Da Club, to a backdrop of split-second collages of 12-inch record labels from the late 80s/early 90s. Even though they’re split-second, the trainspotter/ex-DJ in me recognises nearly half of them. Could this be more exciting? Woo! “This is the best one yet!”, Colin and I agree.

L. OK, this is getting ridiculous now. People are constantly squeezing past us on the steps, and I’m jammed against the crash barrier, unable to stand up straight. Two burly lumps are standing directly below and in front of me, their backs wedged against my mid-torso and crotch. If I move at all, my crotch grinds into them. It’s not even mildly erotic. Also, I haven’t got anywhere to put my hands. I ask the lumps to step forward an inch. They burble something incomprehensible back and refuse to move. Boo!

M. Unfortunately, Basement Jaxx have now used up nearly all their hits, and are playing a succession of lesser known and frankly inferior numbers. Boo! I’ve had enough of this – time to get some beer.

N. Woo! Beer! It has been remarkably easy to get served with alcohol this evening, and yet the crowd really are extraordinarily, um, motivated. I wonder why.

O. Back from the bar, I take up a new position on the raised platform behind the steps. Ah, this is better. I can actually twitch a limb without crashing into people here. Woo!

P. “Can you keep moving forward please; we can’t see.” “You’re standing in someone’s space; they’ll be back in a minute.” I’m pissing everyone off around me with my mere presence. I’ve become the tall person that everyone hates at concerts. Boo!

Q. And the set is just as boring as it was before. Boo!

R. The polite looking girlie in front of me has suddenly sprung to life, for no apparent reason, and is now bouncing up and down with great gusto. Which would be fine, except that her pony tail keeps flicking in my face, and there’s nowhere else for me to move. Ugh! Poo! Boo! A few minutes later, Heather nudges me. “Has that girl just come up on her pill, or what?” I explain that her pony tail must have beaten the rest of her to it. Maybe it all spreads from the follicles?

S. WHEEEERES-YOOOOUR-HEEEEEAD-AT? WHEZYOHEDAT! Woo! The venue absolutely erupts – hands in the air, whoops and whistles and hollers and general mentalism. I love the raw, almost punky energy of this one. This is more like it! Pony tails be damned!

T. Encore time, and the energy cranks up another notch with the ragga-tastic “Jump ‘N Shout”.Woo! And woo again!

U. Okay, let’s try squeezing in downstairs for the Audio Bullys. Our only concern: the basement area is about a quarter of the size of the upstairs hall, and the gig played to a sold-out capacity crowd. How are we all going to fit? This could be Hell. Oh, no it isn’t. Vast numbers of people are filing out onto the street, and we find a comfortable spot in the basement area. Woo! After Party!

V. Bloody Hell – the Audio Bullys are great! Woo! With just an MC and a DJ on stage, the set is stripped right down to its clubby essentials. Performing nothing from last year’s album, what we get instead is freestyle toasting over a non-stop mix of raw, minimal, bass-heavy ragga/garage ruffness. It’s dead simple, but it works superbly well in the enclosed basement space, basslines bouncing off the walls and bashing us in the solar plexus. Upstairs as a warm-up set, this would never have worked. Downstairs as an after-show treat, it turns the venue into a sweaty club environment, the whole room jiggling and wriggling and beaming with glee. Nina says it reminds her of when she used to go clubbing regularly, before she became a mum. Puts her back in touch with what she’s been missing, and of how good it used to feel. I’m getting the same feeling, flashing back to mad nights at the Marcus Garvey Centre in 95/96…Carl Cox, the DiY sound system…good times. And I’ve only had two lagers!

W. The Audio Bullys aren’t just great – they’re chuffing fantastic! We’ve caught a wave, locked onto it, and have been riding it for nearly an hour, as the vibe in the room continues to build and solidify. Nina and I keep grinning at each other in amazed delight – this is way, way more enjoyable than Basement Jaxx. Woo! Woo! Woo! All the way home!

“My week.”

An edited version of the following article appeared in the regular My Week column in the pull-out business section of Tuesday’s Nottingham Evening Post. (Having written the piece, it seemed churlish not to blog it.)

The perky new photo on the sidebar was supposed to accompany the article, but missed the copy deadline. No matter.

For fairly obvious reasons, what follows isn’t altogether written in my usual blogging style – but nevertheless, you should be able to detect a fair degree of envelope-pushing along the way.

Sunday

My partner and I are staying with my mother in Cambridge. While Mother rises virtuously early for sacristan duties at Little Saint Mary’s church, we heathens opt for an indolent morning with the papers. In the afternoon, a surprisingly easy and pleasant train journey back to Nottingham, with splendid views of Ely cathedral in passing. With no reading material to occupy them, the young couple opposite spend the entire journey bickering. (“You never listen!” “Don’t touch me!”) Sinking deeper into our books, we tune them out as best we can.

Monday

I rise at what should be the crack of dawn – except that this particular dawn is a long time cracking. Maybe it’s feeling as sluggish as I am. The office is ten minutes’ walk from our front door, through the quiet gas-lit streets of The Park. I arrive much earlier than usual; there’s a mountain of work to complete before tomorrow’s visit to Barcelona.

I work for a global IT consultancy, with offices in the UK, USA and China. Although much of our work is related to the financial services sector, we have a wide range of other clients, including a major car manufacturer. This company is implementing a new software package across its European sales centres, replacing various local systems with a common, standardised solution. My chief responsibilities are for co-ordinating the translation activities, and providing customised training materials for each territory in advance of the software implementation. With work already completed in France and Germany, I am currently liasing closely with clients in Switzerland and Spain (Italy and Holland are looming on the horizon). Most weeks involve a site visit, and this week is no exception.

With the Swiss deadline newly brought forward, I end up pounding the keyboard until 9:30 p.m., fuelled with that virtuous, almost masochistic glow which comes with being the only one left in the office.

Tuesday

“I was here until 9:30 last night, you know!”, I chirp merrily to anyone in earshot, hopefully with just the right tone of chipper martyrdom, in a blatant attempt to curry sympathy from my colleagues. It’s a transparent ploy, but it keeps me happy.

The Barcelona flight is delayed by thirty minutes, allowing time for another swift half in the bar at East Midl…sorry, at Nottingham East Midlands airport, as we must now call it. (Being something of a Little Nottinghamer when it comes to matters of civic pride, I am more than happy with the name change.) I’m a frequent business traveller with bmibaby – if that doesn’t sound too oxymoronic. Yes, I admit it: low cost air travel might make sense to many, but damn it, I miss the peace and calm of the old British Midlands business lounge. I am a simple man: give me a gin and tonic with complimentary snack-ettes, and I am yours for life. Somewhere to plug in the laptop would also be nice. However, with no airport business facilities remaining, my delicate eardrums are left to the mercy of the endless, shrill, “last and final call” requests for mysteriously errant passengers. Given the relatively compact size of the departure area, I find this somewhat baffling.

Wednesday

Outside, it’s 16 degrees in sunny Barcelona; a brief foretaste of the spring to come. Inside, the day is spent in a succession of meetings with the clients, both defining and refining their detailed requirements, and collectively pooling our knowledge and resources. An atmosphere of frenzied but good-natured co-operation prevails; with so much to get through, our minds are concentrated wonderfully.

The evening is spent in the city’s old quarter, with three UK colleagues. After dinner at the decidedly smart Gran Café (an accidental find, highly recommended), we find ourselves in a bar which oozes Barcelona cool – complete with spontaneous salsa dancing from some of the patrons. Mercifully, our participation is confined to polite hand-clapping.

We end the evening in a so-called “Irish” bar, drinking Spanish beer, listening to American music, watching Italian football, and chatting with the Swedish/Sri Lankan barmaid. Authenticity be damned!

Thursday

The morning is spent explaining the new software to the key administrators, who will need expert knowledge from day one. Next, a more detailed presentation of the training materials to the external trainer, who starts his courses next month. Mid-afternoon, walking downstairs for coffee, a British colleague notices that my (brand new) trousers have split at the back, revealing a good two inches of dazzling white underwear. Maybe that sales bargain was too good to be true after all.

I spent the rest of the afternoon artfully concealing my sartorial shame. Whenever obliged to walk around the large, open-plan office, I clasp my hands firmly behind my back, rather in the manner of the Duke of Edinburgh. Thankfully, no-one notices a thing. Maybe they’re simply too polite to pass comment. Or maybe they’re all quietly doubled up in hysterics behind me. Ignorance is sometimes bliss.

After tapas in town (cheap, cheerful and delicious), a late flight home, also delayed. I crawl into bed around 1:30.

Friday

“I didn’t get to bed until 1:30 this morning, you know!”, I chirp merrily to anyone in earshot. I suspect that you’re beginning to get the measure of me.

The day passes in a blur of frantic keyboard pounding; after two days in Spain, I have been neglecting the Swiss, and so must catch up.

In the early evening, we drive out to our “country pile” in Derbyshire, via The Gate at Brassington (our favourite pub for miles around). Supper, log fire, telly, wine, bliss.

Saturday

More frantic keyboard pounding – but for a rather different purpose this time. I’m on the judging panel for The Bloggies (www.bloggies.com), which are a set of annual awards given to the best weblogs from around the world. I’m helping to judge ten categories, including Best Photography and Most Humorous. With around two dozen finalists in each category, sifting through the sites is an enormous task, but I try to maintain an objective view of each site’s particular merits, regardless of my own personal preferences (a particularly tough job when it comes to the Best Political category).

By tea-time, I am almost forcibly removed from my laptop and bundled into the car – it’s time for another visit to relatives, and time to banish computers from my thoughts for the rest of the weekend.

(Guess which section got sub-edited out? Clearly, the Nottingham business community is not yet ready for my pants. Would it have have helped if I’d mentioned they were Calvin Klein?)

 

Singles, Albums & Gigs of 2003.

Singles of 2003

1 ignition (remix) – r.kelly (if you’re wondering why, then this might help…)
2 comfortably numb – scissor sisters
3 no letting go – wayne wonder
4 hey ya! – outkast
5 club “kung fu” – vanilla ninja
6 rock your body – justin timberlake
7 crazy in love – beyoncé & jay-z
8 in da club – 50 cent
9 i luv u – dizzee rascal
10 hurt – johnny cash
11 laura – scissor sisters
12 milkshake – kelis
13 strict machine – goldfrapp
14 out of time – blur
15 open your heart – birgitta
16 never leave you (uh oh, uh oh) – lumidee
17 bad day – rem
18 frontin’ – pharrell williams feat. jay-z
19 good boys – blondie
20 are you ready for love – elton john
21 don’t look the other way – pleasure feat. justine frischmann
22 ooh wee – mark ronson feat. ghostface & nate dogg
23 eighties coming back – ruffus
24 the seed – the roots
25 forever more – moloko
26 lucky star – basement jaxx feat. dizzee rascal
27 lose yourself – eminem
28 bitch at the brits – readers wifes
29 maybe – emma bunton
30 superstar – jamelia
31 feel good time – pink feat. william orbit
32 no good advice – girls aloud
33 birthday – junior boys
34 tour de france – kraftwerk
35 cry me a river – justin timberlake
36 mad world – michael andrews feat. gary jules
37 seven nation army – white stripes
38 hooked on radiation – atomizer
39 i believe in a thing called love – the darkness
40 leave right now – will young
41 all over – lisa maffia
42 me and giuliani down by the schoolyard (a true story) – !!!
43 all the things she said – tATu
44 el papichulo – ragga reyes
45 train – goldfrapp
46 sweet dreams my la ex – rachel stevens
47 real things – javine
48 mundian to bach ke – panjabi mc
49 stole – kelly rowland
50 gay bar – electric six
51 step into my office baby – belle & sebastian
52 the golden path – chemical brothers feat. wayne coyne
53 house of jealous lovers – the rapture
54 red morning light – kings of leon
55 hot in herre – tiga
56 crazy beat – blur
57 where is the love? – black eyed peas feat. justin timberlake
58 fix my sink – dj sneak
59 satisfaction – benny benassi
60 we want your soul – free*land

Delayed from 2003:
losing my edge – lcd soundsystem
witness the pitness – pitman

Albums of 2003

1 johnny cash – the man comes around
2 goldfrapp – black cherry
3 blur – think tank
4 mariza – fado curvo
5 kraftwerk – tour de france soundtracks
6 yo la tengo – summer sun
7 david bowie – reality
8 moloko – statues
9 john boden & jon spiers – bellow
10 steely dan – everything must go
11 john cale – hobo sapiens
12 hidden cameras – the smell of our own
13 erlend oye – unrest
14 ibrahim ferrer – buenos hermanos
15 madonna – american life
16 robert wyatt – cuckooland
17 manitoba – up in flames
18 outkast – speakerboxx/the love below
19 belle & sebastian – dear catastrophe waitress
20 dizzee rascal – boy in da corner
21 super furry animals – phantom power
22 radiohead – hail to the thief
23 massive attack – 100th window
24 basement jaxx – kish kash
25 rokia traore – bowmboi
26 joss stone – the soul sessions
27 justin timberlake – justified
28 kings of leon – youth & young manhood
29 white stripes – elephant
30 kelis – tasty
31 chicks on speed – 99 cents
32 bonnie prince billy – master & everyone
33 zongamin – zongamin
34 mountain goats – tallahassee
35 calexico – feast of wire
36 richard x – richard x presents his x-factor vol.1
37 yat-kha – tuva.rock
38 amy winehouse – frank
39 ojo de brujos – bari
40 bent – the everlasting blink

Duds / disappointments / can’t-see-what-all-the-fuss-is-abouts:
1 elvis costello – north
2 colder – again
3 vivian green – a love story
4 four tet – rounds
5 grandaddy – sumday

Delayed but played:
1 red hot chilli peppers – by the way
2 mariza – fado em mim
3 ulrich schnauss – far away trains passing by
4 duoud – wild serenade
5 interpol – turn on the bright lights
6 johnny cash – american vol.3
7 remy shand – the way I feel
8 omara portuondo – omara portuondo
9 mr. scruff – trouser jazz
10 amalia rodriguez – the art of amalia
11 susana baca – espiritu vivo
12 john peel – fabriclive 07
13 the roots – phrenology
14 four tet – pause
15 the datsuns – the datsuns

Compilations:
1 hotel pelirocco: music from the legendary hotel
2 pet shop boys – pop art
3 peanut butter wolf – badmeaningood vol.3
4 joey & norman jay: good times vol.3
5 chris coco & rob da bank – the blue room
6 sex: too fast to live too young to die
7 jacques lu cont – fabriclive 09
8 jamiroquai – late night tales
9 bent – fabriclive 11
10 4 hero – life: styles
11 andy smith – the document II
12 swayzak – fabric 11

Gigs of 2003

1 goldfrapp
2 datsuns, polyphonic spree, interpol, the thrills
3 mariza
4 scissor sisters
5 rem
6 rolling stones
7 david bowie
8 radiohead
9 daevid allen’s university of errors, here and now
10 scissor sisters, atomizer, readers wifes, synthetic pleasures
11 polyphonic spree, mull historical society
12 flaming lips
13 yo la tengo
14 arthur lee & love
15 manitoba, four tet
16 yes
17 calexico
18 ulrich schnauss
19 jon spencer blues explosion
20 broadcast
21 chicks on speed
22 mark gardner
23 the music
24 sophie ellis bextor
25 gotan project

2003: The Year In Blog.

(NOTE: If you’re looking for that dramatic Farewell Speech, then you’ll find it here.)

No, I’ve not started blogging again; think of what follows as an act of closure. Alternatively, think of it as an alternative to those “…Has Left The Building” splash pages, for which I lack the graphic design skills. Or there again, you could always think of it as the Troubled Diva Christmas Holiday Annual.

And yes, I know it’s ridiculously long, and that I needn’t have put so much effort into it. But you’re forgetting: this is Troubled Diva. This is how I’ve always done it. Remember me this way.

Or failing that…buy one of my lovely mugs.

Click on the quotes to read the original articles in full.

This article is also available in a printer-friendly MS Word document: THE TROUBLED DIVA CHRISTMAS ANNUAL 2003.

January.

January 8th.

Thus it was that, sitting on my bedroom floor aged seven or eight, I first learnt one of the cardinal rules of fiction. Namely, that happiness is almost impossible to write about for any sustained length of time. Effective fiction needs conflict, struggle, and a fair measure of suffering and misery along the way. Goodness, kindness and happiness are all boring. Evil, cruelty, pain and sorrow are all much more interesting.However, while happiness may be a poor subject matter for fiction, I would contend that rather different rules apply when it comes to the maintenance of personal weblogs. When writing a personal weblog – where you, the writer, are the central figure – then happiness is a perfectly acceptable – perhaps even desirable – state of mind with which to contend.

January 8th: The Church Of Me.

January 10th.

Shiz intshi?
Am I right in assuming that person over there is a homosexual?
Aya gorreneh?
I would like to avail myself of some of your recreational stimulants.

Shent fookin gerrin enneh.
Either: I do not wish to have sexual intercourse with that person.
Or: I have grown tired of supplying that person with recreational stimulants.

Get kokkart!
This stripper is taking far too long, and I have to catch the last bus in ten minutes.

January 13th – Uber.

My Top Ten CDs of the Year That I’ve Rarely Listened To and Only Bought Because I Thought They Would Make Me Look Like I was Cool and Had a Sophisticated Knowledge of Music1. Sigur Ros ( )
The title alone told me that this was coolness incarnate because, as all cool people know, ambiguity and mystery are the foundations of being cool. (Smelling terrific helps too, of course.) I bought this the day it was released as I’m wont to do with new, hip, releases from Iceland. I listened to the beginning of track number three while flossing once, haven’t heard a lick of it since. I leave the CD lying around in well-trafficked areas of my apartment so it’s easy for a guest to find and remark on how cool I am for owning it.

January 14th.

My consultant dermatologist is a brusque man, who crossly barks orders at me from behind his desk. Unbidden and unexpected, the Russian roulette scene from The Deer Hunter flashes through my consciousness.Show me! Turn round! Stop! Drop trousers!

At the sight of my bare bottom, the consultant says something to the assembled cluster of underlings who are standing behind him, in rather lighter tones than he has been using towards me up till now. Everybody in the room chuckles – except me. I have no idea what is being said. Nobody has ever laughed at my bottom before. The humiliation is considerable. However, it is also tempered by the knowledge that this will make a good story for the rest of the group. Minting entertainment from embarrassment has always been one of my coping strategies.

January 15th.

January 17th: The World, Backwards.

January 21st.

January 22nd.

January 29th.

January 30th.

February.

February 1st.

February 3rd.

February 5th: Blogjam.

February 10th: Ftrain.

Selections from My Name is Blanket, © 2046 Blanket Jackson.… I spoke about going to college and having a life of my own, like my brother Prince. I wanted to study veterinary medicine. But my questions fell on dead ears. Finally he erupted. “No one else is leaving the ranch! No one!” His legs were shaking, but he steadied himself and walked across the room to a statue of Apollo, flipped open its marble head, and pressed a keypad hidden in its neck. Sirens went off. The sound of deadbolts locking echoed throughout the room, and great mechanical noises came through the window. In the distance, a hippo lowed.

At the end of the clanking, a moment of total silence. Finally, my father said, “We are a happy family, Blanket.”

February 11th.

February 12th: Hydragenic.

Marsyas.… To view the third opening – which is horizontally aligned, unlike the two vertical end hoops – you return to the middle of the hall and go up the steps to a small mezzanine level. On Mike’s advice, we had left this to the end and it was truly the most memorable part of the experience. As you stand on the mezzanine level, you can see up into the structure and along the most narrow part back to the original hoop by the entrance. This is when it struck me: this sculpture has so much sheer presence that it’s almost alive.

This is where I lost the plot completely and started rambling on about it having an organic energy that made me feel like I’d come into contact with an alien intelligence. It truly is like being in the presence of a benign life form, maybe a similar vibe to standing next to a five hundred year-old tree in a quiet, deserted wood. More specifically, the lines running across the structure that accentuate its shape convey the somewhat less benign feeling of being inside the stomach of a large animal (Jonah and the whale?).

February 13th.

February 14th.

And so – in something of a fit of “I’ll bloody show you!” defiance – it came to pass that those tired old tits of mine got flopped out one more time, for the benefit of the whole tavern. Which was, of course, deeply liberating, and blah blah blah blah blah.Let’s leave me there, shall we? Pissed up, topless, with yet another fag on, arranging myself around the dancefloor of a shabby South London pub, in the company of some of Britain’s finest online diarists – and increasingly dear friends, I might add – beaming from ear to ear, lovin’ it lovin’ it lovin’ it.

Apotheosis of Blog. Re-connection with the Mothership of Queer. Not forgetting a joyful re-acclimatisation with the unsubtle pleasures of Cooking Lager.

Mission accomplished, then. Take me home.

February 15th: Here Inside.

February 16th: meish.org.

On the tube on the way to the demo.“I dug out my old CND badge for this, look!”

“Oh, that’s marvellous. I found an old ANC badge. It’s not really relevant, but I thought it was in the spirit of things, you know?”

“Oh yes, absolutely”

“I found this one at home, ‘Free Nelson Mandela’ – Jane modified it with a permanent marker this morning, see?”

“I added an exclamation mark, just there.”

“Certainly makes it a bit more relevant! Ha ha!”

February 18th.

K: (with earnest enthusiasm) This course is like a Kazuo Ishiguro novel. It can’t be taken at face value. You have to read it between the lines.(Mike grunts in agreement and carries on eating.)
(Then pauses, catches himself, puts down his fork and looks up.)

Mike: (slowly, deliberately) You do not know what an effort of will it’s going to take for me not to put that on the weblog.

February 26th.

1993: I Will Always Love You – Whitney Houston. (62)When you’re heart-broken, to the point you’re actually quite enjoying it, shameless wallowing in this track is understandable. Ten years on, you finally see it for what it is: an insincere, self-promoting, over-indulgent, flaccid, fifth-rate imitation of the Real Thing. Bit like the one who broke your heart in the first place, really. (Nigel R (the UK one))

Decade scores so far (after 7 days).
1= (1) The 1970s (28) — Medallion men! Bra-burning libbers! Shut that door!
1= (2) The 1980s (28) — Red Wedge! Nouvelle cuisine! There is no such thing as society!
3 (3) The 1990s (23) — Monica Lewinsky! Black Wednesday! I’d like to be a queen of people’s hearts!
4 (5) The 1960s (21) — Grosvenor Square! Arts labs! I have a dream!
5 (4) The 2000s (20) — Ring tones! Retro-modern wenge sideboards! I love blinking, I do!

February 28th.

February 28th: FunJunkie.

The Great Goose Egg Experiment.So, yesterday I asked you lot how I should prepare my most enjoyfully anticipated Goose eggs. It seems I made a mistake in telling you that the most popular method would be employed by me, for my dinner.

You all voted that I should cook them with a hair dryer. You bunch of bastards…

March.

March 3rd.

Which decade is Tops for Pops? VOTING IS NOW CLOSED. All five decades are sitting anxiously in our Green Room, waiting for the first of the final eliminations to take place. By the end of today, four of these decades will be going home disappointed, while one of them will be officially declared Best! Decade! Evah!

Obviously, the mood backstage is very tense – although there has been the most marvellous cameraderie between all the decades. Well, all except the Eighties, that is. The “Me Decade” has been keeping noticeably aloof from the proceedings, disappearing into the toilets at regular intervals to re-apply its make-up and re-lacquer its hair.

Ah, there are the Sixties, handing round the cocktail snacks. Over there are the Seventies, slumped into bean bags and, er, mellowing out. Meanwhile, the Nineties seem to be hugging everyone and telling them how much they really, really love them, and how these friendships are for life, yeah? Are you looking forward to the results, Nineties?

“Yeah, nice one, top one, sorted. We’re mad fer it!”

And how about you, Noughties? Feeling tense about the first elimination?

“Well, at the end of the day, one of us has to go, right? Which is obviously really sad, but those are the rules of the game, and we all knew that we when we came in here, but at the end of the day, it is just a game show, and we’re really lucky to have got this far, so…”

Yes, thank you Noughties. Love that freshly ironed hair, by the way. My compliments to your stylists.

March 5th: My Ace Life.

And now, for your delectation – the my ace life bathroom cabinet of wonder.Come with me as I share with you my secrets of how I manage to stay so radiant, so beautiful…

March 14th.

Thursday, 13:00. A lightbulb flashes on in my head. Yes, why not try for the longest ever comments box discussion – but make it a sponsored attempt for charity? Hang on – tomorrow is Comic Relief’s Red Nose Day! Now that my job is secure once again, what could be a more apposite way of repaying my karmic debt? OK, let’s investigate further. The current record holder for bulging boxes must surely be the American super-blogger Wil Wheaton. I take a peek at the front page of Wil Wheaton Dot Net. Good grief! There’s a posting there with 234 comments! (It’s a flame war about “freedom fries”, incidentally.) Right then: 235 is my target.Thursday, 13:13. Comment #38 introduces the project. 235 comments by midnight on Friday, and I’ll pledge £100 to Comic Relief. But there’s going to be one key feature: I’m not going to come out of hiding to promote this in any way. Too obvious, too easy, too – well – desperate really. I’m not about to start whoring myself for hits. No – I’m going to test the possibilities of effective meme propagation instead. The only allowable publicity for this caper has to come from my readers. In other words: I’m comment-whoring by proxy. I’m comment-pimping, with my readers as my bitches. This is the sort of dysfunctional relationship which appeals to me. God, but what if nobody bothers? This could end up looking really pathetic, couldn’t it?

March 14th: World Of Chig.

March 15th.

Weight Watchers recipe cards from 1974.In 2003, nothing made me laugh harder than this.

March 18th.

Saddam Hussein is a brutal, corrupt dictator. He isn’t the first, and he won’t be the last. We are not generally given to overthrowing brutal, corrupt dictatorships by bombing their countries to pieces, and nor should we be.The war will further provoke anti-Western sentiment in the Arab world, thus increasing, not decreasing the risk of future terrorist attacks against the UK and US.

Thousands will die, and many thousands more will suffer.

If the US succeeds in this action, then a terrible precedent will have been set, which I believe will form the basis for future unilateral actions against other regimes, in order to further equally illegitimate interests.

Plus all the usual conspiracy theories and amateur psychology, obviously. Obviously.

The only hope I have left: that I’m proved completely and utterly wrong, and end up feeling like a complete twerp in six months’ time. Frankly, nothing would bring me greater pleasure.

March 19th.

March 23rd.

March 26th.

How to blend with the English – a bluffer’s guide. 2. Sartorially, either go for anonymous muted tones from Marks & Spencer (you will think of this as your “classic” look), or else adopt a suitable street-style which “expresses your individuality” in some way.

3. Your sense of humour should be evenly divided between gentle self-deprecation, wry observation and bitter, withering sarcasm.

3a. If you consider yourself to be a person of breeding, then you should also add “hilarious” impersonations of regional dialects to the above list.

March 27th: Anna, guest-blogging.

The main differences between roses and spoons.11. Spoons don’t smell nice. Unless they’ve been somewhere nice.
12. Roses always smell nice. Unless they’ve been somewhere horrible, like up an animal’s bum or something.
13. At the end of a ballet, people don’t generally throw spoons at the stage.
I think they should.
14. People don’t wander from pub to pub, selling ‘a spoon for the lady, sir?

April.

April 3rd.

You know how people keep banging on about “A-list bloggers”, like the A-list is some sort of abstract concept – a mere figure of speech? Well, these people are wrong. The A-list is – of course! – a real list, written down on a piece of paper and kept under lock and key in a secret location. Because why on earth would the A-list be an imaginary list? That would be just stupid.So, (now gather round closely, and not a word to anyone, and if you do then I’ll only deny it) get this: our intrepid little group had managed to discover the location, sneak in, pick the lock, and steal the A-list. Look, here it is! Except…it’s not the A-list any more. Oh dear me, no. We have replaced it with a new list. Our list. Ahahahahaha!

April 7th.

Yes! At last! Thanks to the efforts of my mate Rob and his team, who have been working late to meet the promised go-live date, official Troubled Diva merchandise is now available.Because we’re no longer just a weblog, you know. Oh no. We’re a fully fledged Global Marketing Concept now. And this fine range of exclusive quality goods (T-shirts, mugs and mousemats, in a choice of two designs) is the cornerstone of our Brand Awareness Campaign.

April 10th.

April 16th.

April 22nd.

April 23rd: Invisible Stranger.

April 29th.

American Life. (from American Life)Even more stark, even more stripped-down, and only not what we were expecting because, frankly, we were expecting something rather more unexpected than this. Inspiring more accusations of being another unimaginative reduction/re-tread (and the stylistic similarities with Music are indeed undeniable), this is by turns awkward, stroppy, pissed-off, cryptic, confusing, mocking, self-obsessed and just plain daft. As album openers, Erotica said “Let’s indulge ourselves” – Survival said, “I’m still here and I’m still smiling” – Drowned World said “This is the new me” – Music said “Let’s all party” – and American Life says, flatly, “F**k it”.

May.

May 2nd.

May 7th.

May 12th: Diamond Geezer.

May 20th.

May 21st.

May 28th.

May 29th.

Before we know it, two strapping young firemen have jumped out of the vehicle. Oh my God, Latvian firemen!They have stripped down to their underwear. Oh my God, Latvian fireman in their pants!

Ordering us to stand well back, and with one of them clutching a thick grey blanket, they wade out into the waist-deep water. Oh my God, Latvian firemen in wet pants!

(Meanwhile, just as a little side-show to the main action, their driver is, with much languid stretching – ooooh, it’s just too hot to be wearing this sticky uniform one moment longer – slowly stripping down to the waist. I scarcely know which way to look.)

May 30th – June 2nd: Naked Blog.

June.

June 3rd.

After a few more minutes of general banter with the throng, The Wogan announced his retreat.
“Well, at least you lot will be spared from having to listen to my commentary tonight.”
Oh, the twinkly-eyed gentle self-deprecation! Eurovision wouldn’t be Eurovision without!
Last year, I gave you a detailed song-by-song critique of every entry, as performed on the night. This year, I fear such a task is beyond me, with the 26 songs passing by in a delirious vodka-fuelled blur. For this is how I see it: if the rehearsals are for chin-stroking, connoisseur-style evaluation of each song’s chances, then the finals are for putting all critical faculties on hold, going stark staring bonkers, singing and dancing in the aisles (there was a pleasing lack of heavy-handed security, and the aisles were nice and wide this year), flag-twirling, whooping, screeching and generally Surrendering To The Madness. I expect that you get much the same sort of thing at the Smash Hits Poll Winners Party. (Yes, it’s to time wheel out that hoary old chestnut, The Strange Cultural Affinity Between Teenage Girls And Gay Men. See Juile Burchill columns passim.)

June 5th.

June 12th: Wherever You Are.

June 13th.

June 16th.

June 24th.

June 24th: prolific.org.

July.

July 2nd.

July 10th.

July 16th.

July 22nd: Frizzy Logic.

July 23rd.

I loved watching Cameron’s squirming, wriggling reaction, when asked to give his views on gay relationships.It said:

Shite. Shite. ShiteshiteBOLLOCKS. If I answer this question truthfully, then I will be throwing away any chance I ever had of winning this game. All those WEEKS of suppressing my opinions, of biting my lip, of trying to fit in without selling myself out – all come to NOUGHT because of this ONE wee question.

July 26th-27th: The Search For Love In Manhattan.

Gay dating haikus.How is it you knew
I wasn’t faithful? Oh, yeah.
Bite marks on my ass.

You’re cruel and petty
And you like to make me cry.
When can you move in?

“I need time away,
To figure out who I am.”
I can tell you that.

It’s our second date,
And I’m not sure I love you.
It’s time to break up.

“Let’s have a drink first.”
Excuse me? I didn’t join
Men4talk.com.

August.

August 1st.

August 2nd.

August 19th.

Your life is being made into a Moulin Rogue style musical. Which songs would be used to emote your life?Cue Ewan, cue Nicole, cue orchestra, hankies out, and we’re off…

This “Zbornak mini-interview” is probably my second favourite post of the year.

August 20th.

Interviews and photo-shoots.The readers of Menstrual Moments might be ready for Challenging New Design Concepts Which Successfully Fuse The Period And The Contemporary – they might even be ready for Swanked Up Poofs Flagrantly Sprawling At Each Other’s Feet – but they were clearly not ready for Cutting Edge Casual Footwear. The horror!

Meanwhile, this post probably generated more reaction than anything else I wrote all year (until the Big Farewell Speech, that is). It’s the one that people always remember, at any rate…

August 26th.

September.

September 2nd.

September 2nd: Scaryduck.

September 4th.

September 8th: Baghdad Burning.

September 8th.

– So you’re not into singles, then? What about the Top 40 – do you follow that?(with authority) I think the Top 40 is really silly. Because there are only about 2 or 3 people in our class who buy singles, and they’re all the same sort of person anyway. What’s that CD you’re playing? Can I take a look?

[picks up Yes CD (“Fragile”) and examines booklet]

– Eurgh! They’re all really ugly! (amused) Did you really listen to that stuff when you were young?

September 15th.

Gracious in defeat.I’m sorry, but having only sixty people who LOVE ME is a bitter blow indeed. Some might even go so far as to say that it is a paltry reward for the major contribution which I have made over the years. I, of course, could not possibly comment.

September 18th: Uborka.

September 19th.

September 23rd.

September 23rd: Fauxhemia.

September 23rd: Kill Your Boyfriend.

September 25th.

Effects.· Each player in turn will experience a sudden sensation of euphoria and light-headedness, possibly accompanied by a giggling fit, and repeated exclamations of “Oh my God, oh my God, oh my God…”
· If these effects are not judged to be sufficiently powerful, then the player may optionally move on to Emergency Stage Two.

September 27th: k-punk.

September 30th.

October.

October 1st.

October 7th: Robin, guest-blogging.

Divorced Beheaded Died,
Divorced Beheaded Survived.
My son thought it referred to two queens, both cruelly treated but one luckier than the other. I suppose that is what got me thinking about the poem again and marvelling at its balance, brevity and utility. Six famous women who, albeit unconsciously, gave us a classic of school literature. Think about it. If just one of those six queens had failed to play her part we never would have had that poem. I take inspiration from that.

October 11th: Mr.D., guest-blogging.

Rantwords e.g.Restaurant – an eaterie where you complain endlessly about the poor service (after you’ve left)
Colourant – a whinge peppered with salacious adjectives
Vagrant – a moan which meanders aimlessly
Expectorant – a very vocal grumble where the topic eventually coughs up at the end
Tolerant – a tirade which is nonetheless considerate of its subject’s sensitivities
Immigrant – a foreign diatribe

October 13th: Aunt Cyn, guest-blogging.

October 15th: quarsan, guest-blogging.

October 20th: Fiona, guest-blogging.

October 21st: Zena, guest-blogging.

October 26th.

October 28th: Danny, guest-blogging.

October 29th: Asta, guest-blogging.

November.

November 4th.

November 11th.

November 16th.

November 17th.

November 17th: londonmark.

November 20th: orbyn.com.

November 21st.

November 24th: Acerbia.

“Were you watching this?”Of course I wasn’t watching this, it was only the news. I’d rather exist in a misinformed guess-world composed of my own flawed perceptions of the events that surround us gleened from my intuitive methods of reading tealeaves! By all means lets watch four idiots with a nailgun rampage through a house with floral wallpaper and abominable taste in furniture in a race against time to see who can cause the most hideous case of color-blind MDF drive-by interior devastation.

November 25th: Zena, guest-blogging.

November 30th: Mad Musings Of Me.

December.

December 1st.

December 2nd: It’s Funny Because It’s Shit.

I drift off, accompanied. The disc ends. I sleep on. So far, so good. Some 13 minutes later, I am horribly startled by an entirely unfamiliar hooting and scraping: it is The Hidden Track. What in the sweet and blessed name of ARSE is the point of these things? They are the musical equivalent of…. no, they don’t even deserve the creative effort of a decent simile. They are a shit idea, shitly executed, of invariably shitious music. This was no exception.“Ok, that’s the mix nailed down. I think we’ve done great work here”

“What about the hidden track?”

“Aww, man… do we have to have one of those?”

“Yeah. People LIKE surprises. It’s cute and fun, and we’ll probably make it onto some list in Q Magazine.

“What do you suggest?”

“Well, something shit, obviously. No point in hiding good stuff. Let’s do a cover version of the 4th movement of Bruckner’s 7th, with Ginster’s pasties instead of instruments. It’ll be hilarious.”

December 2nd: Rogue Semiotics.

December 7th.

“…through the bad times and the good…”

In the autumn of 1987, I attended a book reading given by Armistead Maupin, author of the Tales Of The City novels. After the reading, whilst taking questions from the audience, Maupin made the standard “everybody should come out of the closet now pitch” – as was customary in those dark days of overt establishment homopobia (Clause 28 was mere weeks away from kicking off) and tabloid-fuelled AIDS-scare paranoia. We all nodded approvingly.

The next questioner stood up. Considering it something of a public duty to be open about his sexuality, he had come out of the closet at work – only to lose his job as a direct consequence. Undeterred, he came out once again in his next job – only to be fired for the exact same reason. Since then, unwilling to jeopardise his livelihood any further, he had decided merely to equivocate about being gay, carefully skirting round any difficult subjects, while maintaining a suitably liberal “I think there’s nothing wrong with it myself” line where called for. A quiet flutter of pained winces and sympathetic headshakes passed around the room, our ideological bravado momentarily checked by the depressing reality of his situation.

For most gay people of my generation – born before decriminalisation, reaching puberty during an age where being gay was viewed as either sinister or ridiculous, coming out against the background of the emerging AIDS epidemic – this kind of artful semantic equivocation was learnt at an early age, and quickly became second nature. For me at least, coming out to workmates always felt like a deliberate kick against this instinctive urge for self-preservation. It always carried a vague sense of risk. It never came easily.

Just over two months ago, the unequivocally homophobic Section 28 was finally repealed by royal assent, the law no longer treating homosexuality as something that could be “promoted” to vulnerable young people, and no longer regarding gay partnerships as “pretended family relationships”. At last week’s state opening of parliament, the Queen’s speech announced that new legislation will give legal recognition to registered gay partnerships. And from today, it will no longer be legal for employers to discriminate against workers for being lesbian, gay, bisexual – or even heterosexual, for that matter.

I cannot remember that last time that I felt the need to be equivocal about my sexuality. I will say “partner” and “he” in the same sentence, in any situation, with no more than the slightest “so now they know” flutter in my stomach. I no longer watch what I say on the street, in shops, or in bars. I greet gay friends with a kiss in public places, without first checking around for potential trouble. OK, so I don’t actually skip down the street with my hand in K’s, but I’m not altogether sure that either of us would ever want to; some behavioural patterns are so established that it would feel false to attempt to change them. In short: we’ve come a long, long way, baby.