This article orginally appeared in the Nottingham Evening Post. As you will quickly discover, it went to press in advance of last night’s semi-finals (blush).
Good grief, can it really be that time of the year already? Tomorrow evening at 8pm, at the Hartwall Arena in Helsinki, the world’s most gloriously over-the-top musical extravaganza returns for the 52nd time. Those of you with the stamina for such a marathon of Light Entertainment can expect to feast – nay, to gorge – yourselves upon the spectacle of 24 competing nations, all doing their absolute darndest to capture your attention (and later on, your votes) in the space of three minutes. Prepare yourselves for the usual dizzying array of bizarre costumes, frenetic dance routines, corny rhymes, gimmicks a-go-go, endless key changes, and even – whisper it if you dare – the occasional genuinely good song.
By the time you read this, 18 of the 42 participating acts will already be packing their bags, having failed to qualify from last night’s semi-final. A few of you may even have caught the show on BBC3 – and if you did, you deserve hearty congratulations for making it through a record-busting, bottom-numbing, brain-scrambling run of 28 songs. The ten semi-finalists with the largest number of votes will now join the ten highest scoring countries from last year’s final, plus the “big four” – France, Germany, Spain and the UK – who make the largest financial contribution to the staging of the contest.
Based on previous form, these ten semi-finalists are the acts to watch – for not only have they had longer to rehearse, but they will also still be surfing from the confidence boost of last night’s results. In the 2006 finals, eight songs in the top ten were qualifiers from the semis, including the eventual winner, Hard Rock Hallelujah by Lordi.
Ah yes, the Lordi effect. No doubt hoping that the Finnish victory has opened the doors to rock music at Eurovision at long last, several countries have pitched their hairiest, croakiest, grizzliest old rockers into the battlefield, while others have spiced up their jolly Europop ditties with grinding metal guitars. Best of all, the tiny state of Andorra has fielded the most youthful and exciting entry of the year: a terrific slice of baggy-shorted punk-pop from a bunch of floppy-haired teenagers called Anonymous, which pitches itself somewhere between Green Day and Blink 182.
That said, lovers of High Camp will still find plenty to squeal about. Although Denmark’s drag queen DQ may already be on the way home (and let’s hope that he isn’t), Ukraine’s tubby cross-dresser Verka Serduchka is sure to raise the roof with three minutes of complete and utter nonsense, which has already caused an outcry in his native land. (Always a good sign: many Finns were up in arms about the supposedly “Satanic” Lordi this time last year). Verka’s hysterically uptempo Dancing Lasha Tumbai may be trash, and it certainly doesn’t hold up to repeated listenings (trust me on this) – but it’s hugely entertaining trash, and that’s what counts.
Whatever else you might say about it, the 2007 contest is certainly not short on musical variety. Germany’s Roger Cicero serves up finger-snapping supper club swing, the Belgians offer classic Seventies disco in the style of Earth Wind and Fire, Portugal and Norway have gone Latin American, and Latvia are fielding a six-man troupe of operatic tenors in top hats.
Other hotly tipped favourites include Sweden’s The Ark, whose The Worrying Kind is a fantastic pastiche of the sort of glitter-pop that The Sweet, Mud and The Rubettes were churning out over thirty years ago. Indeed, parts of the melody are so similar to Edison Lighthouse’s 1970 chart-topper Love Grows (Where My Rosemary Goes) that the original songwriter has publicly accused them of plagiarism.
In stark contrast, Serbia has the year’s best ballad: the powerful Molitva, performed by a homely looking girl (Marija Serifovic) whose lack of glamour is compensated for by a stunning vocal presence. Serbia is sure to benefit from friendly voting from its Eastern European neighbours, and looks certain to place within the Top Five. Expect similarly high placings from Switzerland’s action-packed Eurodance belter Vampires Are Alive, and from the dramatic Belarussian entry Work Your Magic, whose lavish orchestration conjures up memories of classic James Bond themes.
But what of our very own Scooch? Much as it pains me to be disloyal at this crucial stage, you are advised to prepare yourselves for yet another crashing disappointment. The central problem with Flying The Flag (For You) is this: it’s the sort of novelty song which cynical British audiences think is a “typical” Eurovision entry, whereas the rest of Europe grew tired of such nonsense years ago. Scooch’s underlying attitude (we may be rubbish, but Eurovision’s rubbish anyway and we don’t care) is going to cost them dearly. Don’t say you weren’t warned.