I have to tell you: my inaugural full-length album review for Stylus nearly did for me. African music’s a bugger to write about, as it’s a genre where, for once, I can actually switch off my over-analytical brain and simply luxuriate in the sound and the spirit of the thing. It’s my – it’s our – chill-out music, consumed for pure pleasure.
But to describe just why the new Ali Farka Touré album is such a masterpiece, without resorting to a load of tedious blah about ngoni techniques and kora tunings? Well, my darlings, that’s nigh-on impossible.
Still, I gave it my best shot – and here’s the outcome.