Another shameless attempt to pick up the evening comments rush.

Posted by Robin. (Remembered it first time this time.)

I was fascinated by Mike’s researches into the history of pop music and gratified to read his conclusion that the 70’s ranked top for classic singles. That somehow confirmed my gut feelings on the subject.

So what it is that is so unsatisfying about modern pop records then? I’ve given it a lot of thought and it’s the most difficult question I’ve had to answer since, while living as a student in a house devoid of anyone named Neville, the phone rang and someone asked “Neville wouldn’t be there, would he?”

I think I may have found a piece of the puzzle today, fished out from under the sofa cushions of my mind. It’s that records have simply ceased to be real time, real world events. Everything can now be revised or replaced or virtually generated. Anything is possible so nothing is interesting. In all, modern records are like cartoons – flat, unreal, worked over in such detail that nothing natural or spontaneous survives. If records were made to sound like Roobarb and Custard looked that might not be so bad but they aren’t.

So, if records get to be cartoons then which cartoon characters do you think should get to make records?

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