Why I Got The Sack From The Museum.

(posted by one of anna’s b****es, apparently)

Before the Number 15 hoved into view this morning quite a queue had congregated. We stood silent and staring uproad, the Monday Morning Mule Train. Despite that I knew most of the faces in line and they I’m sure knew my face too. Later, I saw an even longer mute queue outside the Post Office on the corner of Brazil Street. Nobody was sambaing.

It was irritating, itchy even, to wake up at 3.15 am with the television still blurting and to see so many mediocrities speaking so earnestly about Art, meaning Money. Hollywood occasionally lets Art slip past the studio Pitbulls, but the Oscars are a celebration of every tawdry, dishonest, faux-artistic impulse that the Los Angeles Petting Zoo holds dearest. Great Art is opaque, but to win an Oscar a movie needs to be so transparent, so dishonest, so Hanks-Spielbergundian that you can watch it whilst asleep and still know exactly what’s happened.

So I’m tired like every Monday and the sun is shining and I’m haphazardly word-sketching the chestnut eyes of the woman on the bus seat in front of me – dark hair dusted burgundy and a smile that took 10 minutes to appear but will make the rest of today liveable. She was chatting happily to her little boy, which makes her pretty freakin’ rara avis round these parts. She gets off 2 stops before me, and then I surf my way down the aisle (3 skips in the road to ride), jump off, and try to forget enough about beauty and wonder that I can be an efficient prole.

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