2nd place – The 1960s. (33 points)
Last year: 1st place, 36 points.
Two years ago: 3rd place, 28 points.
9: Funny How Love Can Be – The Ivy League. 5th place, 1 point.
8: Come Tomorrow – Manfred Mann. 5th place, 1 point.
7: The Special Years – Val Doonican. 5th place, 1 point, least popular.
6: Don’t Let Me Be Misunderstood – The Animals. 1st place, 5 points.
5: Game Of Love – Wayne Fontana & The Mindbenders. 2nd place, 4 points.
4: Keep Searchin’ – Del Shannon. 2nd place, 4 points.
3: You’ve Lost That Loving Feeling – The Righteous Brothers. 1st place, 5 points, most popular.
2: I’ll Never Find Another You – The Seekers. 2nd place, 4 points.
1: Tired Of Waiting For You – The Kinks. 2nd place, 4 points.
After a catastrophic start to this year’s contest, with three last places in a row from The Ivy League, Manfred Mann and Val Doonican, last year’s winning decade looked like a lost cause. Who would therefore have predicted such a strong comeback over the remaining six days? Never coming lower than second from that point on, the 1960s clawed their way back from a poor fifth to a strong second, breathing down the neck of our winning decade all the way to the finishing line, and causing me to prepare an emergency tie-break medley, just in case.
Just as the 2000s received a raw deal, so I can’t help feeling that 1965 has rather lucked out. Standard issue beat groups and unreconstructed male chauvinism are the order of the day here; indeed, The Seekers’ Judith Durham provides the only female voice on this list.
Nevertheless, when the 1960s are good, they’re bloody good. With the first revolution of 1963/1964 beginning to settle down, and the second revolution of 1966/67 yet to come, 1965 provides something of an entr’acte, with an emphasis on strong songwriting (several of these songs having since become standards) and a sometimes overpowering emotional pull.
Yes, maybe that’s what 1965 has in particular abundance this year: emotional pull. Even if some of those emotions are decidedly questionable at times.