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Friday, December 15, 2006

Do ya think I'm sexy?

Mike answers: Do I think I'm sexy? Hmm, tricky. I have occasionally had the s-word said to me - but usually to fairly specific ends, and at a time and a place when certain people (and why am I even being gender/orientation non-specific about this, I mean GAY MEN of course) will say most anything to achieve those ends. So we can count them out for starters. The mercenary little scallywags.

There again, there was that one time in Finland, in the summer of 1994, when that awfully good-looking chap picked me up at a gay disco on a boat, and whisked me away to a wooden cabin on the edge of a pine forest, way out of town - and as we tumbled amongst the freshly-laundered linen while the soft magenta fingers of dawn stole through the shutters, he leant his face close into mine and, with that same disarming, shining-eyed, sincerity that had so won me over, breathed these words:

"You're beautiful."

(slight pause)

"But you're not sexy."

A harsh judgement, but then I'm not sure that I've ever really pulled off Sexy to any great effect. The sexy people - the truly sexy people - are the ones who are comfortable within their own skins, with an understated yet unmistakable confidence which allows them to forget about themselves and to concentrate on you. Well, that was never me. Back in my glory days - those ten years or so when my physical attributes were at their peak (and I'll admit to not being at the back of the queue looks-wise, which must have helped) - my strongest suits were flirting, and teasing, and exuding a sense of fun that could sometimes rub off on others. But these were milder, lighter, more diversionary powers, fit only for their limited and transitory purpose. Under the right sort of lighting, and in the right sort of outfits, and provided that it's-ten-to-two-you'll-do desperation hadn't set in, I could generally approximate a certain template of urban gay male foxiness. But true sexiness required a cooler eye and a steadier hand - and I knew the limits of my range, my scope and my aspirations. Flirting, teasing and mucking around suited me just fine.

As for these days - these days when I don't even bother putting lenses in for an evening out, and when I'd rather be chatting in the corner than making an exhibition of myself on raised surfaces - sexiness barely enters into it. As Molly Parkin once put it, the post-sexy experience feels rather like being unchained from a lunatic - and I don't miss that needy old tart one little bit.

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Wednesday, December 06, 2006

Open Mike #6 - Question 6.

Kate asks: Have you read Birdsong?

No, Kate. No, I haven't. But it's worse than that.

Many Christmasses ago, I bought the debut novel by Sebastian Faulks - The Girl at the Lion D'Or, newly published in hardback - as a present for my mother. She loved it, and duly complimented me on my selection. We don't share many cultural interests, and so she must have been delighted that, for once, we had been able to forge a connection.

The only trouble was: I hadn't read the book, nor indeed anything else by Sebastian Faulks, other than his weekly columns for the Independent On Sunday. It merely had been inspired guesswork on my part. The cover blurb looked promising, the artwork was nice, and I couldn't readily find any sex or swearing in it. It had said "quality middlebrow read" to me, and so I had taken my chances.

Unable to bluff my way through the literary discussion that my mother seemed intent on initiating, I gently fessed up. No problem. She seemed fine about it.

A few years later, as part of my birthday present, my mother gave me a paperback copy of Faulks's third novel, Birdsong. She had read it, loved it, and was keen to share her reading pleasure with me. As I appreciatively scanned the back cover, she offered up a brief introduction to the book, and expressed the hope that I would enjoy it as much as she did.

I got about thirty pages in, before giving up. Not because of any deficiencies in the writing, but simply because I am a lazy reader with a tiny concentration span, and had put the book aside for slightly too long. In other words, the moment had passed. It happens quite often.

The next time we met, a few months later, my mother brightly asked me how I had got on with the novel.

Shit. I had completely forgotten, and was totally unprepared. I mumbled something about not having finished it, and quickly changed the subject.

She concealed her disappointment well.

I still wince when I think about it.

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